<h2><SPAN name="CHAPTER_I" id="CHAPTER_I"></SPAN>CHAPTER I</h2>
<h3>KNOCKING THE TOWN ENDWAYS</h3>
<p>In the only comfortably furnished room in the offices of the <i>Record</i>,
the telephone on Sir James Molloy's table buzzed. Sir James made a
motion with his pen, and Mr. Silver, his secretary, left his work and
came over to the instrument.</p>
<p>"Who is that?" he said. "Who?... I can't hear you ... Oh, it's Mr.
Bunner, is it? Yes, but ... I know, but he's fearfully busy this
afternoon. Can't you ... Oh, really? Well, in that case—just hold on,
will you?"</p>
<p>He placed the receiver before Sir James. "It's Calvin Bunner, Sigsbee
Manderson's right hand man," he said concisely. "He insists on speaking
to you personally. Says it is the gravest piece of news. He is talking
from the house down by Bishopsbridge, so it will be necessary to speak
clearly."</p>
<p>Sir James looked at the telephone, not affectionately, and took up the
receiver. "Well?" he said in his strong voice; and listened. "Yes," he
said. The next moment Mr. Silver, eagerly watching him, saw a look of
amazement and horror. "Good God," murmured Sir James. Clutching the
instrument, he slowly rose to his feet, still bending ear intently. At
intervals he repeated, "Yes." Presently, as he listened, he glanced at
the clock, and spoke quickly to Mr. Silver over the top of the
transmitter. "Go and hunt up Figgis and young Williams. Hurry!" Mr.
Silver darted from the room.</p>
<p>The great journalist was a tall, strong, clever Irishman of fifty, swart
and black-mustached, a man of untiring business energy, well known in
the world, which he understood very thoroughly, and played upon with the
half-cynical competence of his race. Yet was he without a touch of the
charlatan: he made no mysteries, and no pretenses of knowledge, and he
saw instantly through these in others. In his handsome, well-bred,
well-dressed appearance there was something a little sinister when anger
or intense occupation put its imprint about his eyes and brow; but when
his generous nature was under no restraint he was the most cordial of
men. He was managing director of the company which owned that most
powerful morning paper, the <i>Record</i>, and also that most indispensable
evening paper, the <i>Sun</i>, which had its offices on the other side of the
street. He was moreover editor-in-chief of the <i>Record</i>, to which he had
in the course of years attached the most variously capable personnel in
the country. It was a maxim of his that where you could not get gifts,
you must do the best you could with solid merit; and he employed a great
deal of both. He was respected by his staff as few are respected in a
profession not favorable to the growth of the sentiment of reverence.</p>
<p>"You're sure that's all?" asked Sir James, after a few minutes of
earnest listening and questioning. "And how long has this been
known?... Yes, of course, the police are; but the servants? Surely
it's all over the place down there by now.... Well, we'll have a
try.... Look here, Bunner, I'm infinitely obliged to you about this.
I owe you a good turn. You know I mean what I say. Come and see me the
first day you get to town.... All right, that's understood. Now I must
act on your news. Good-by."</p>
<p>Sir James hung up the receiver, and seized a railway time-table from the
rack before him. After a rapid consultation of this oracle, he flung it
down with a forcible word as Mr. Silver hurried into the room, followed
by a hard-featured man with spectacles, and a youth with an alert eye.</p>
<p>"I want you to jot down some facts, Figgis," said Sir James, banishing
all signs of agitation and speaking with a rapid calmness. "When you
have them, put them into shape just as quick you can for a special
edition of the <i>Sun</i>." The hard-featured man nodded and glanced at the
clock, which pointed to a few minutes past three; he pulled out a
notebook and drew a chair up to the big writing-table. "Silver," Sir
James went on, "go and tell Jones to wire our local correspondent very
urgently, to drop everything and get down to Marlstone at once. He is
not to say why in the telegram. There must not be an unnecessary word
about this news until the <i>Sun</i> is on the streets with it—you all
understand. Williams, cut across the way and tell Mr. Anthony to hold
himself ready for a two-column opening that will knock the town endways.
Just tell him that he must take all measures and precautions for a
scoop. Say that Figgis will be over in five minutes with the facts, and
that he had better let him write up the story in his private room. As
you go, ask Miss Morgan to see me here at once and tell the telephone
people to see if they can get Mr. Trent on the wire for me. After seeing
Mr. Anthony, return here and stand by." The alert-eyed young man
vanished like a spirit.</p>
<p>Sir James turned instantly to Mr. Figgis, whose pencil was poised over
the paper. "Sigsbee Manderson has been murdered," he began quickly and
clearly, pacing the floor with his hands behind him. Mr. Figgis
scratched down a line of shorthand with as much emotion as if he had
been told that the day was fine—the pose of his craft. "He and his wife
and two secretaries have been for the past fortnight at the house called
White Gables, at Marlstone, near Bishopsbridge. He bought it four years
ago. He and Mrs. Manderson have since spent a part of each summer there.
Last night he went to bed about half-past eleven, just as usual. No one
knows when he got up and left the house. He was not missed until this
morning. About ten o'clock his body was found by a gardener. It was
lying by a shed in the grounds. He was shot in the head, through the
left eye. Death must have been instantaneous. The body was not robbed,
but there were marks on the wrists which pointed to a struggle having
taken place. Dr. Stock, of Marlstone, was at once sent for, and will
conduct the post-mortem examination. The police from Bishopsbridge, who
were soon on the spot, are reticent, but it is believed that they are
quite without a clue to the identity of the murderer. There you are,
Figgis. Mr. Anthony is expecting you. Now I must telephone him and
arrange things."</p>
<p>Mr. Figgis looked up. "One of the ablest detectives at Scotland Yard,"
he suggested, "has been put in charge of the case. It's a safe
statement."</p>
<p>"If you like," said Sir James.</p>
<p>"And Mrs. Manderson? Was she there?"</p>
<p>"Yes. What about her?"</p>
<p>"Prostrated by the shock," hinted the reporter, "and sees nobody. Human
interest."</p>
<p>"I wouldn't put that in, Mr. Figgis," said a quiet voice. It belonged to
Miss Morgan, a pale, graceful woman, who had silently made her
appearance while the dictation was going on. "I have seen Mrs.
Manderson," she proceeded, turning to Sir James. "She looks quite
healthy and intelligent. Has her husband been murdered? I don't think
the shock would prostrate her. She is more likely to be doing all she
can to help the police."</p>
<p>"Something in your own style, then, Miss Morgan," he said with a
momentary smile. Her imperturbable efficiency was an office proverb.
"Cut it out, Figgis. Off you go! Now, madam, I expect you know what I
want."</p>
<p>"Our Manderson biography happens to be well up-to-date," replied Miss
Morgan, drooping her dark eye-lashes as she considered the position. "I
was looking over it only a few months ago. It is practically ready for
to-morrow's paper. I should think the <i>Sun</i> had better use the sketch of
his life they had about two years ago, when he went to Berlin and
settled the potash difficulty. I remember it was a very good sketch, and
they won't be able to carry much more than that. As for our paper, of
course we have a great quantity of cuttings, mostly rubbish. The
sub-editors shall have them as soon as they come in. Then we have two
very good portraits that are our own property; the best is a drawing Mr.
Trent made when they were both on the same ship somewhere. It is better
than any of the photographs; but you say the public prefers a bad
photograph to a good drawing. I will send them down to you at once, and
you can choose. As far as I can see, the <i>Record</i> is well ahead of the
situation, except that you will not be able to get a special man down
there in time to be of any use for to-morrow's paper."</p>
<p>Sir James sighed deeply. "What are we good for, anyhow?" he inquired
dejectedly of Mr. Silver, who had returned to his desk. "She even knows
Bradshaw by heart."</p>
<p>Miss Morgan adjusted her cuffs with an air of patience. "Is there
anything else?" she asked, as the telephone bell rang.</p>
<p>"Yes, one thing," replied Sir James as he took up the receiver. "I want
you to make a bad mistake some time, Miss Morgan; an everlasting
bloomer—just to put us in countenance." She permitted herself the
fraction of what would have been a charming smile as she went out.</p>
<p>"Anthony?" asked Sir James; and was at once deep in consultation with
the editor on the other side of the road. He seldom entered the <i>Sun</i>
building in person: the atmosphere of an evening paper, he would say,
was all very well if you liked that kind of thing. Mr. Anthony, the
Murat of Fleet Street, who delighted in riding the whirlwind and
fighting a tumultuous battle against time, would say the same of a
morning paper.</p>
<p>It was some five minutes later that a uniformed boy came in to say that
Mr. Trent was on the wire. Sir James abruptly closed his talk with Mr.
Anthony. "They can put him through at once," he said to the boy.</p>
<p>"Hullo!" he cried into the telephone after a few moments. A voice in the
instrument replied: "Hullo be blowed! What do you want?"</p>
<p>"This is Molloy," said Sir James.</p>
<p>"I know it is," the voice said. "This is Trent. He is in the middle of
painting a picture, and he has been interrupted at a critical moment.
Well, I hope it's something important, that's all!"</p>
<p>"Trent," said Sir James impressively, "it is important. I want you to do
some work for us."</p>
<p>"Some play, you mean," replied the voice. "Believe me, I don't want a
holiday. The working fit is very strong. I am doing some really decent
things. Why can't you leave a man alone?"</p>
<p>"Something very serious has happened."</p>
<p>"What?"</p>
<p>"Sigsbee Manderson has been murdered—shot through the brain—and they
don't know who has done it. They found the body this morning. It
happened at his place near Bishopsbridge." Sir James proceeded to tell
his hearer, briefly and clearly, the facts that he had communicated to
Mr. Figgis. "What do you think of it?" he ended.</p>
<p>A considering grunt was the only answer.</p>
<p>"Come now!" urged Sir James.</p>
<p>"Tempter!"</p>
<p>"You will go down?"</p>
<p>There was a brief pause. "Are you there?" said Sir James.</p>
<p>"Look here, Molloy," the voice broke out querulously, "the thing may be
a case for me, or it may not. We can't possibly tell. It may be a
mystery: it may be as simple as bread and cheese. The body not being
robbed looks interesting, but he may have been outed by some wretched
tramp whom he found sleeping in the grounds and tried to kick out. It's
the sort of thing he would do. Such a murderer might easily have sense
enough to know that to leave the money and valuables was the safest
thing. I tell you frankly, I wouldn't have a hand in hanging a poor
devil who had let daylight into a man like Sig Manderson as a measure of
social protest."</p>
<p>Sir James smiled at the telephone: a smile of success. "Come, my boy,
you're getting feeble. Admit you want to go and have a look at the case.
You know you do. If it's anything you don't want to handle, you're free
to drop it. By the bye, where are you?"</p>
<p>"I am blown along a wandering wind," replied the voice irresolutely,
"and hollow, hollow, hollow all delight."</p>
<p>"Can you get here within an hour?" persisted Sir James.</p>
<p>"I suppose I can," the voice grumbled. "How much time have I?"</p>
<p>"Good man! Well, there's time enough—that's just the worst of it. I've
got to depend on our local correspondent for to-night. The only good
train of the day went half an hour ago. The next is a slow one, leaving
Paddington at midnight. You could have the Buster, if you like"—Sir
James referred to a very fast motor-car of his—"but you wouldn't get
down in time to do anything to-night."</p>
<p>"And I'd miss my sleep. No, thanks. The train for me. I am quite fond of
railway-traveling, you know; I have a gift for it. I am the stoker and
the stoked, I am the song the porter sings."</p>
<p>"What's that you say?"</p>
<p>"It doesn't matter," said the voice sadly. "I say," it continued, "will
your people look out a hotel near the scene of action, and telegraph for
a room?"</p>
<p>"At once," said Sir James. "Come here as soon as you can!" He replaced
the receiver. As he turned to his papers again a shrill outcry burst
forth in the street below. He walked to the open window. A band of
excited boys was rushing down the steps of the Sun building and up the
narrow thoroughfare toward Fleet Street. Each carried a bundle of
newspapers and a large broadsheet with the simple legend:</p>
<div class="blockquot"><p>MURDER OF SIGSBEE MANDERSON</p>
</div>
<p>Sir James smiled and rattled the money in his pockets cheerfully.</p>
<p>"It makes a good bill," he observed to Mr. Silver, who stood at his
elbow.</p>
<p>Such was Manderson's epitaph.</p>
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