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To Your Dog and To My Dog

<div class="figcenter"><ANTIMG src="images/frontcover.png" alt="" /></div> Previous Publications: Indian Names of Places in Worcester County, Massachusetts Indian Names of Places in Plymouth, Middleborough Lakeville, and Carver With Interpretations of Some of Them [Pg i] <hr style="width: 65%;" /> To Your Dog And To My Dog [Pg ii] <hr style="width: 65%;" /> <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> FIRST IMPRESSION, SEPTEMBER 1915 SECOND IMPRESSION, DECEMBER 1915 THIRD IMPRESSION, FEBRUARY 1916 FOURTH IMPRESSION, APRIL 1916</td></tr></table> <hr style="width: 65%;" /> [Pg iii] TO YOUR DOG AND TO MY DOG <div class="figcenter"><ANTIMG src="images/illo_005.png" alt="" /></div> "MAY THEY LIVE LONG AND PROSPER"   By LINCOLN NEWTON KINNICUTT   BOSTON and NEW YORK Houghton Mifflin Company The Riverside Press Cambridge   [Pg iv] COPYRIGHT, 1915, BY LINCOLN NEWTON KINNICUTT ALL RIGHTS RESERVED   Published December 1915 <hr style="width: 65%;" /> [Pg v] <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> To him who has never called a dog his friend The full meaning of pure friendship is unknown</td></tr></table> [Pg vi] <hr style="width: 65%;" /> [Pg vii] Dear Dogs:— I have brought together in my library a few of the many proofs that show how true is the affection which many of your masters have for you, and some-time when I can read them to you privately, you will understand more fully the place you hold in our lives. I use the word MASTER only because our language is too poor to express in one word the real relationship which exists between us, we the master, and you the devoted slave and trusted servant, the most joyful of playfellows, and the best of companions, the bravest defender, and the truest friend. I wish I knew the word in your language which expresses all that you are to us. I also wish I knew how much you know, and could learn the many things you would gladly teach us. You can see what we cannot see. You can hear sounds we cannot hear. You interpret signs we cannot read. You[Pg viii] scent the trails we cannot find. You talk to us with your speaking eyes, and we cannot understand. You are sometimes cruelly treated, and so are human beings, and sometimes we have to punish you for you are not always good. You have a certain amount of deviltry in your nature which we rather like, for it makes you more human and lovable. Your sins, however, are mostly against the laws we have made for you, not against your own, or those of nature, which are the laws of a higher power than ours—the one who made you. What glorious times have we enjoyed together tramping or riding through the fields and woods, over the hills and by the streams and through the swamps, or at the sea, on the sands and rocks, or over the salt marshes, with gun or camera or botany box, or with nothing at all! We have shared the best the[Pg ix] world can give us, nature's gifts. And returning home, tired and happy, we in the evening, before a bright wood fire, you close by our side or at our feet only so that you can touch us, have lived over what the day has given us. Or sometimes at night before a camp fire with the quiet of the wood sounds all about us, have dreamed of the ducks and the grouse and the partridges, or of rare flowers or a beautiful landscape which the past day has brought, or of what the next day will bring. And perhaps you have dreamed also, a little selfishly (you are only selfish in your dreams) of the rabbits and squirrels and the woodchucks which have been the greatest temptation for you to resist all day long. They must have existed long ago in your garden of Eden. No matter what our conditions or surroundings in life may be you accept them gladly. King or peasant, palace or hovel, riches or poverty, plenty or starvation, burning[Pg x] sun or ice and snow, if you have once given us your affection, no matter who or what your master may be, you give him all you have to give to the very end—even life itself. It would almost seem that you were created only to serve us, for wherever man has been, even in the far past where history is almost a myth, you have been also, close by his side. Old Egypt, Persia, Greece, and ancient Rome have told of your fidelity and of your devotion. You know us in many ways as no human being knows us, for every hour of your life you wish to be near, and often you are our most intimate companion and the best friend we have in the world. We talk to you, more than half believing, or trying to believe, that you understand, and I am not sure but that to you alone we always tell the absolute truth, we whisper to you our secrets, we confide to you our hopes and ambitions, we tell you of[Pg xi] our successes and our disappointments, and often in deep grief you alone see what we think is weakness to show to the outside world. Whatever happens to us we are sure of one friend, even if the whole world is against us. We trust to you our greatest treasures, our children, and we know with you they are safe. When you go to the Happy Hunting Ground you are truly and deeply mourned, and the great legacy you leave us is the memory of your loyalty, your devotion, your trust, and memory of the many happy hours and happy days you have given us in your too short life. And when we are obliged to say "the King is dead," we do not complete the old saying "long live the King" for many, many months—and sometimes never. May we meet again,                     Your masters, and           Your FRIENDS. [Pg xii] <hr style="width: 65%;" /> [Pg xiii] Note To The Masters The blank space on the title cover is designed for a photograph, or any picture, of your own dog. This collection is composed almost entirely of verses that have been written within the last twenty-five years. I know only too well that I have omitted many poems that the Dogs should hear, but I have not attempted a large anthology, for it has been done several times by far abler hands. I also know you will ask why some of your favorite poems are not found in this collection, but I have selected only a small number, among the many that have appealed to me, for I promised to read only a few to my friends, the Dogs, and I have left many blank half pages on which you can copy your own favorite Dog Poems. L. N. K. [Pg xiv] <hr style="width: 65%;" /> [Pg xv] Note To those to whom I am indebted I wish to thank the Authors for their kindness in permitting me to reprint their poems and I also wish to acknowledge the courtesy of the many Publishers who have given me permission to reprint selections from their publications. To many friends I wish to express my obligation for the use of their collections. L. N. K. [Pg xvi] <hr style="width: 65%;" /> [Pg xvii] Contents <table border="0" cellpadding="2" cellspacing="2" summary="table"> <tr><td> Lufra</td><td align="right">Sir Walter Scott</td><td align="right">1</td></tr> <tr><td> Fidele's Grassy Tomb</td><td align="right">Henry Newbolt</td><td align="right">5</td></tr> <tr><td> Leo</td><td align="right">Richard Watson Gilder</td><td align="right">13</td></tr> <tr><td> Geist's Grave</td><td align="right">Matthew Arnold</td><td align="right">17</td></tr> <tr><td> The Power of the Dog</td><td align="right">Rudyard Kipling</td><td align="right">25</td></tr> <tr><td> To Rufus, a Spaniel</td><td align="right">R. C. Lehmann</td><td align="right">31</td></tr> <tr><td> Tim, an Irish Terrier</td><td align="right">W. M. Letts</td><td align="right">39</td></tr> <tr><td> To a Terrier</td><td align="right">Patrick R. Chalmers</td><td align="right">43</td></tr> <tr><td> Rhapsody on a Dog's Intelligence</td><td align="right">Burges Johnson</td><td align="right">47</td></tr> <tr><td> Frances</td><td align="right">Richard Wightman</td><td align="right">53</td></tr> <tr><td> Roger and I</td><td align="right">Julian S. Cutler</td><td align="right">59</td></tr> <tr><td> "Sir Bat-Ears"</td><td align="right">Mrs. Eden</td><td align="right">65</td></tr> <tr><td> Cluny</td><td align="right">William Croswell Doane</td><td align="right">71</td></tr> <tr><td> Laddie</td><td align="right">Katharine Lee Bates</td><td align="right">75</td></tr> <tr><td> Davy</td><td align="right">Louise Imogen Guiney</td><td align="right">79</td></tr> <tr><td> A Friend</td><td align="right">Zitella Cocke</td><td align="right">83</td></tr> <tr><td> The Bath</td><td align="right">R. C. Lehmann</td><td align="right">87</td></tr> <tr><td> Six Feet</td><td align="right">Anonymous</td><td align="right">93</td></tr> <tr><td> Wilhelm</td><td align="right">Patrick R. Chalmers</td><td align="right">97</td></tr> <tr><td> An Old Dog</td><td align="right">Celia Duffin</td><td align="right">101[Pg xviii]</td></tr> <tr><td> Remarks to my Grown-up Pup</td><td align="right">Burges Johnson</td><td align="right">105</td></tr> <tr><td> An Extract from Inscription on the Monument of a Newfoundland Dog</td><td align="right">Lord Byron</td><td align="right">109</td></tr> <tr><td> To Tim, an Irish Terrier</td><td align="right">W. M. Letts</td><td align="right">113</td></tr> <tr><td> My Dog</td><td align="right">Anna Hadley Middlemas</td><td align="right">117</td></tr> <tr><td> "Without are Dogs"</td><td align="right">Edward A. Church</td><td align="right">121</td></tr> <tr><td> You're a Dog</td><td align="right">C. L. Gilman</td><td align="right">125</td></tr> <tr><td> A Gentleman</td><td align="right">Anonymous</td><td align="right">129</td></tr> <tr><td> My Dog</td><td align="right">St. John Lucas</td><td align="right">133</td></tr> <tr><td> To Scott, a Collie</td><td align="right">W. M. Letts</td><td align="right">137</td></tr> <tr><td> 'Dodo,' 1903-1913</td><td align="right">Arthur Austin-Jackson</td><td align="right">141</td></tr> <tr><td> Epitaph</td><td align="right">Sir Walter Scott</td><td align="right">143</td></tr> <tr><td> "Hamish," a Scotch Terrier</td><td align="right">C. Hilton Brown</td><td align="right">145</td></tr></table> <hr style="width: 65%;" /> [Pg 1] LUFRA BY SIR WALTER SCOTT From The Lady of the Lake [Pg 2] <hr style="width: 65%;" /> [Pg 3] LUFRA <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> The Monarch saw the gambols flag, And bade let loose a gallant stag, Whose pride, the holiday to crown, Two favorite greyhounds should pull down, That venison free, and Bordeaux wine, Might serve the archery to dine. But Lufra,—whom from Douglas' side Nor bribe nor threat could e'er divide, The fleetest hound in all the North,— Brave Lufra saw and darted forth. She left the royal hounds mid way, And dashing on the antlered prey, Sunk her sharp muzzle in his flank, And deep the flowing life-blood drank. The King's stout huntsman saw the sport By strange intruder broken short, Came up, and with his leash unbound, In anger struck the noble hound. —The Douglas had endured, that morn,[Pg 4] The King's cold look, the nobles' scorn, And last, and worst to spirit proud, Had borne the pity of the crowd; But Lufra had been fondly bred, To share his board, to watch his bed, And oft would Ellen, Lufra's neck, In maiden glee with garlands deck; They were such playmates, that with name Of Lufra, Ellen's image came. His stifled wrath is brimming high, In darkened brow and flashing eye; As waves before the bark divide, The crowd gave way before his stride; Needs but a buffet and no more, The groom lies senseless in his gore. Such blow no other hand could deal Though gauntleted in glove of steel.</td></tr></table> <hr style="width: 65%;" /> [Pg 5] FIDELE'S GRASSY TOMB From The Island Race BY HENRY NEWBOLT By permission of the Author, and of the Publishers Elkin Mathews, London [Pg 6] <hr style="width: 65%;" /> [Pg 7] FIDELE'S GRASSY TOMB <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> The Squire sat propped in a pillowed chair, His eyes were alive and clear of care, But well he knew that the hour was come To bid good-bye to his ancient home. He looked on garden, wood, and hill, He looked on the lake, sunny and still; The last of earth that his eyes could see Was the island church of Orchardleigh. The last that his heart could understand Was the touch of the tongue that licked his hand: "Bury the dog at my feet," he said, And his voice dropped, and the Squire was dead. Now the dog was a hound of the Danish breed, Staunch to love and strong at need: He had dragged his master safe to shore[Pg 8] When the tide was ebbing at Elsinore. From that day forth, as reason would, He was named "Fidele," and made it good: When the last of the mourners left the door Fidele was dead on the chantry floor. They buried him there at his master's feet, And all that heard of it deemed it meet: The story went the round for years, Till it came at last to the Bishop's ears. Bishop of Bath and Wells was he, Lord of the lords of Orchardleigh; And he wrote to the Parson the strongest screed That Bishop may write or Parson read. The sum of it was that a soulless hound Was known to be buried in hallowed ground: From scandal sore the Church to save[Pg 9] They must take the dog from his master's grave. The heir was far in a foreign land, The Parson was wax to my Lord's command: He sent for the Sexton and bade him make A lonely grave by the shore of the lake. The Sexton sat by the water's brink Where he used to sit when he used to think: He reasoned slow, but he reasoned it out, And his argument left him free from doubt. "A Bishop," he said, "is the top of his trade: But there's others can give him a start with the spade: Yon dog, he carried the Squire ashore, And a Christian couldn't ha' done no more." The grave was dug; the mason came[Pg 10] And carved on stone Fidele's name: But the dog that the Sexton laid inside Was a dog that never had lived or died. So the Parson was praised, and the scandal stayed, Till, a long time after, the church decayed, And, laying the floor anew, they found In the tomb of the Squire the bones of a hound. As for the Bishop of Bath and Wells, No more of him the story tells; Doubtless he lived as a Prelate and Prince, And died and was buried a century since. And whether his view was right or wrong Has little to do with this my song; Something we owe him, you must allow; And perhaps he has changed his mind by now. The Squire in the family chantry sleeps,[Pg 11] The marble still his memory keeps: Remember, when the name you spell, There rest Fidele's bones as well. For the Sexton's grave you need not search, 'Tis a nameless mound by the island church: An ignorant fellow, of humble lot— But he knew one thing that a Bishop did not.</td></tr></table> [Pg 12] <hr style="width: 65%;" /> [Pg 13] LEO From The Poems of Richard Watson Gilder By permission of the Publishers, Houghton Mifflin Company Boston [Pg 14] <hr style="width: 65%;" /> [Pg 15] LEO <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Over the roofs of the houses I hear the barking of Leo— Leo the shaggy, the lustrous, the giant, the gentle Newfoundland. Dark are his eyes as the night, and black is his hair as the midnight; Large and slow is his tread till he sees his master returning, Then how he leaps in the air, with motion ponderous, frightening! Now, as I pass to my work, I hear o'er the roar of the city— Far over the roofs of the houses, I hear the barking of Leo; For me he is moaning and crying, for me in measure sonorous He raises his marvelous voice, for me he is wailing and calling. None can assuage his grief, tho' but for a day is the parting,[Pg 16] Tho' morn after morn 'tis the same, tho' home every night comes his master, Still will he grieve when we sever, and wild will be his rejoicing When at night his master returns and lays but a hand on his forehead. No lack will there be in the world of faith, of love, and devotion, No lack for me and for mine, while Leo alone is living— While over the roofs of the houses I hear the barking of Leo.</td></tr></table> [Pg 17] <hr style="width: 65%;" /> [Pg 18] GEIST'S GRAVE From Poems by Matthew Arnold Dramatic and Later Poems By permission of the Publishers, The Macmillan Company, New York <hr style="width: 65%;" /> [Pg 19] GEIST'S GRAVE <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Four years!—and didst thou stay above The ground, which hides thee now, but four? And all that life, and all that love, Were crowded, Geist! into no more? Only four years those winning ways, Which make me for thy presence yearn, Call'd us to pet thee or to praise, Dear little friend! at every turn? That loving heart, that patient soul, Had they indeed no longer span, To run their course, and reach their goal, And read their homily to man? That liquid, melancholy eye, From whose pathetic, soul-fed springs Seem'd surging the Virgilian cry,[A][Pg 20] The sense of tears in mortal things— That steadfast, mournful strain, consoled By spirits gloriously gay, And temper of heroic mould— What, was four years their whole short day? Yes, only four!—and not the course Of all the centuries yet to come, And not the infinite resource Of Nature, with her countless sum Of figures, with her fulness vast Of new creation evermore, Can ever quite repeat the past, Or just thy little self restore. Stern law of every mortal lot! Which man, proud man, finds hard to bear, And builds himself I know not what[Pg 21] Of second life I know not where. But thou, when struck thine hour to go, On us, who stood despondent by, A meek last glance of love didst throw, And humbly lay thee down to die. Yet would we keep thee in our heart— Would fix our favourite on the scene, Nor let thee utterly depart And be as if thou ne'er hadst been. And so there rise these lines of verse On lips that rarely form them now; While to each other we rehearse: Such ways, such arts, such looks hadst thou! We stroke thy broad brown paws again, We bid thee to thy vacant chair, We greet thee by the window-pane, We hear thy scuffle on the stair. We see the flaps of thy large ears[Pg 22] Quick raised to ask which way we go; Crossing the frozen lake, appears Thy small black figure on the snow! Nor to us only art thou dear Who mourn thee in thine English home; Thou hast thine absent master's tear, Dropt by the far Australian foam. Thy memory lasts both here and there, And thou shalt live as long as we. And after that—thou dost not care! In us was all the world to thee. Yet, fondly zealous for thy fame, Even to a date beyond our own We strive to carry down thy name, By mounded turf, and graven stone. We lay thee, close within our reach, Here, where the grass is smooth and warm, Between the holly and the beech,[Pg 23] Where oft we watch'd thy couchant form, Asleep, yet lending half an ear To travellers on the Portsmouth road;— There build we thee, O guardian dear, Mark'd with a stone, thy last abode! Then some, who through this garden pass, When we too, like thyself, are clay, Shall see thy grave upon the grass, And stop before the stone, and say: People who lived here long ago Did by this stone, it seems, intend To name for future times to know The dachs-hound, Geist, their little friend.</td></tr></table> <div class="footnote">[A]Sunt lacrimæ rerum!</div> [Pg 24] <hr style="width: 65%;" /> [Pg 25] THE POWER OF THE DOG From Actions and Reactions BY RUDYARD KIPLING By permission of the Publishers, Doubleday, Page & Company Garden City [Pg 26] <hr style="width: 65%;" /> [Pg 27] THE POWER OF THE DOG <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> There is sorrow enough in the natural way From men and women to fill our day; But when we are certain of sorrow in store, Why do we always arrange for more? Brothers and sisters, I bid you beware Of giving your heart to a dog to tear. Buy a pup and your money will buy Love unflinching that cannot lie— Perfect passion and worship fed By a kick in the ribs or a pat on the head. Nevertheless it is hardly fair To risk your heart for a dog to tear. When the fourteen years which Nature permits Are closing in asthma, or tumour, or fits, And the vet's unspoken prescription runs To lethal chambers or loaded guns, Then you will find—it's your own affair[Pg 28] But ... you 've given your heart to a dog to tear. When the body that lived at your single will When the whimper of welcome is stilled (how still!) When the spirit that answered your every mood Is gone—wherever it goes—for good, You will discover how much you care, And will give your heart to a dog to tear! We've sorrow enough in the natural way, When it comes to burying Christian clay. Our loves are not given, but only lent, At compound interest of cent per cent. Though it is not always the case, I believe, That the longer we've kept 'em, the more do we grieve: For, when debts are payable, right or wrong,[Pg 29] A short-time loan is as bad as a long— So why in Heaven (before we are there!) Should we give our hearts to a dog to tear?</td></tr></table> [Pg 30] <hr style="width: 65%;" /> [Pg 31] TO RUFUS, A SPANIEL From Crumbs of Pity BY R. C. LEHMANN By permission of the Author, and of the Publishers, William Blackwood & Sons, Edinburgh & London [Pg 32] <hr style="width: 65%;" /> [Pg 33] TO RUFUS, A SPANIEL <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Rufus, a bright New Year! A savoury stew, Bones, broth and biscuits, is prepared for you. See how it steams in your enamelled dish, Mixed in each part according to your wish. Hide in your straw the bones you cannot crunch— They'll come in handy for to-morrow's lunch; Abstract with care each tasty scrap of meat, Remove each biscuit to a fresh retreat (A dog, I judge, would deem himself disgraced Who ate a biscuit where he found it placed); Then nuzzle round and make your final sweep, And sleep, replete, your after-dinner sleep. High in our hall we've piled the fire with logs[Pg 34] For you, the doyen of our corps of dogs. There, when the stroll that health demands is done, Your right to ease by due exertion won, There shall you come, and on your long-haired mat, Thrice turning round, shall tread the jungle flat, And, rhythmically snoring, dream away The peaceful evening of your New Year's day. Rufus! there are who hesitate to own Merits, they say, your master sees alone. They judge you stupid, for you show no bent To any poodle-dog accomplishment. Your stubborn nature never stooped to learn Tricks by which mumming dogs their biscuits earn. Men mostly find you, if they change their seat,[Pg 35] Couchant obnoxious to their blundering feet; Then, when a door is closed, you steadily Misjudge the side on which you ought to be; Yelping outside when all your friends are in, You raise the echoes with your ceaseless din, Or, always wrong, but turn and turn about, Howling inside when all the world is out. They scorn your gestures and interpret ill Your humble signs of friendship and goodwill; Laugh at your gambols, and pursue with jeers The ringlets clustered on your spreading ears; See without sympathy your sore distress When Ray obtains the coveted caress, And you, a jealous lump of growl and glare, Hide from the world your head beneath a chair. They say your legs are bandy—so they are:[Pg 36] Nature so formed them that they might go far; They cannot brook your music; they assail The joyful quiverings of your stumpy tail— In short, in one anathema confound Shape, mind and heart, and all, my little hound. Well, let them rail. If, since your life began, Beyond the customary lot of man Staunchness was yours; if of your faithful heart Malice and scorn could never claim a part; If in your master, loving while you live, You own no fault or own it to forgive; If, as you lay your head upon his knee, Your deep-drawn sighs proclaim your sympathy; If faith and friendship, growing with your age, Speak through your eyes and all his love engage; If by that master's wish your life you rule—[Pg 37] If this be folly, Rufus, you're a fool. Old dog, content you; Rufus, have no fear: While life is yours and mine your place is here. And when the day shall come, as come it must, When Rufus goes to mingle with the dust (If Fate ordains that you shall pass before To the abhorred and sunless Stygian shore), I think old Charon, punting through the dark, Will hear a sudden friendly little bark; And on the shore he'll mark without a frown A flap-eared doggie, bandy-legged and brown. He'll take you in: since watermen are kind, He'd scorn to leave my little dog behind. He'll ask no obol, but instal you there On Styx's further bank without a fare. There shall you sniff his cargoes as they come,[Pg 38] And droop your head, and turn, and still be dumb— Till one fine day, half joyful, half in fear, You run and prick a recognising ear, And last, oh, rapture! leaping to his hand, Salute your master as he steps to land.</td></tr></table> <hr style="width: 65%;" /> [Pg 39] TIM, AN IRISH TERRIER From Songs from Leinster BY W. M. LETTS By permission of the Author, and of the Publisher David McKay, Philadelphia [Pg 40] <hr style="width: 65%;" /> [Pg 41] TIM, AN IRISH TERRIER <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> It's wonderful dogs they're breeding now: Small as a flea or large as a cow; But my old lad Tim he'll never be bet By any dog that ever he met. "Come on," says he, "for I'm not kilt yet." No matter the size of the dog he'll meet, Tim trails his coat the length o' the street. D'ye mind his scars an' his ragged ear, The like of a Dublin Fusilier? He's a massacree dog that knows no fear. But he'd stick to me till his latest breath; An' he'd go with me to the gates of death. He'd wait for a thousand years, maybe, Scratching the door an' whining for me If myself were inside in Purgatary. So I laugh when I hear thim make it plain[Pg 42] That dogs and men never meet again. For all their talk who'd listen to thim, With the soul in the shining eyes of him? Would God be wasting a dog like Tim?</td></tr></table> <hr style="width: 65%;" /> [Pg 43] TO A TERRIER From Green Days and Blue Days BY PATRICK R. CHALMERS By permission of the Author. Published by Maunsel & Co., Ltd. Dublin [Pg 44] <hr style="width: 65%;" /> [Pg 45] TO A TERRIER <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Crib, on your grave beneath the chestnut boughs To-day no fragrance falls nor summer air, Only a master's love who laid you there Perchance may warm the earth 'neath which you drowse In dreams from which no dinner gong may rouse, Unwakeable, though close the rat may dare, Deaf, though the rabbit thump in playful scare, Silent, though twenty tabbies pay their vows. And yet, mayhap, some night when shadows pass, And from the fir the brown owl hoots on high, That should one whistle 'neath a favoring star Your small white shade shall patter o'er the grass,[Pg 46] Questing for him you loved o' days gone by, Ere Death the Dog-Thief carried you afar!</td></tr></table> <hr style="width: 65%;" /> [Pg 47] RHAPSODY ON A DOG'S INTELLIGENCE From Rhymes of Home BY BURGES JOHNSON By permission of the Author, and of the Publishers G. P. Putnam's Sons, New York [Pg 48] <hr style="width: 65%;" /> [Pg 49] RHAPSODY ON A DOG'S INTELLIGENCE <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Dear dog, that seems to stand and gravely brood Upon the broad veranda of our home With soulful eyes that gaze into the gloam— With speaking tail that registers thy mood,— Men say thou hast no ratiocination; Methinks there is a clever imitation. Men say again thy kindred have no souls, And sin is but an attribute of men; Say, is it chance alone that bids thee,then, Choose only garden spots for digging holes? Why dost thou filch some fragment of the cooking At times when no one seemeth to be looking? Was there an early Adam of thy race,[Pg 50] And brindled Eve, the mother of thy house, Who shared some purloined chicken with her spouse, Thus causing all thy tribe to fall from grace? If fleas dwelt in the garden of that Adam Perhaps thy sinless parents never had 'em. This morn thou cam'st a-slinking through the door, Avoiding eyes, and some dark corner sought, And though no accusation filled our thought, Thy tail, apologetic, thumped the floor. Who claims thou hast no conscience, argues vainly, For I have seen its symptoms very plainly. What leads thee to forsake thy board and bed On days that are devoted to thy bath? For if it is not reason yet it hath Appearance of desire to plan ahead![Pg 51] The sage who claims thy brain and soul be wizen Would do quite well to swap thy head for his'n.</td></tr></table> [Pg 52] <hr style="width: 65%;" /> [Pg 53] FRANCES BY RICHARD WIGHTMAN By permission of the Author and from The American Magazine [Pg 54] <hr style="width: 65%;" /> [Pg 55] FRANCES <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> You were a dog, Frances, a dog, And I was just a man. The Universal Plan,— Well, 'twould have lacked something Had it lacked you. Somehow you fitted in like a far star Where the vast spaces are; Or like a grass-blade Which helps the meadow To be a meadow; Or like a song which kills a sigh And sings itself on and on Till all the world is full of it. You were the real thing, Frances, a soul! Encarcassed, yes, but still a soul With feeling and regard and capable of woe. Oh yes I know, you were a dog, but I was just a man.[Pg 56] I did not buy you, no, you simply came, Lost, and squatted on my door-step With that wide strap about your neck,— A worn one with a huge buckle. When bigger dogs pitched onto you You stood your ground and gave them all you had And took your wounds unwhimpering, but hid them. My, but you were game! You were fine-haired And marked with Princeton colors, Black and deep yellow. No other fellow Could make you follow him, For you had chosen me to be your pal. My whistle was your law. You put your paw Upon my palm And in your calm,[Pg 57] Deep eyes was writ The promise of long comradeship, When I came home from work, Late and ill-tempered, Always I heard the patter of your feet upon the oaken stairs; Your nose was at the door-crack; And whether I'd been bad or good that day You fawned, and loved me just the same. It was your way to understand; And if I struck you my harsh hand Was wet with your caresses. You took my leavings, crumb and bone, And stuck by me through thick and thin. You were my kin. And then one day you died, At least that's what they said. There was a box and You were in it, still, With a sprig of myrtle and your leash and blanket,[Pg 58] And put deep; But though you sleep and ever sleep I sense you at my heels!</td></tr></table> <hr style="width: 65%;" /> [Pg 59] ROGER AND I BY REV. JULIAN S. CUTLER From The Boston Evening Transcript By permission of the Author and of The Boston Evening Transcript [Pg 60] <hr style="width: 65%;" /> [Pg 61] ROGER AND I <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Well, Roger, my dear old doggie, they say that your race is run; And our jolly tramps together up and down the world are done; You're only a dog, old fellow, a dog, and you've had your day; But never a friend of all my friends has been truer than you alway. We've had glorious times together in the fields and pastures fair; In storm and sunny weather we have romped without a care; And however men have treated me, though foul or fair their deal— However many the friends that failed, I've found you true as steel. That's right, my dear old fellow, look up with your knowing eye,[Pg 62] And lick my hand with your loving tongue that never has told a lie; And don't be afraid, old doggie, if your time has come to go, For somewhere out in the great Unknown there's a place for you, I know. Then don't you worry, old Comrade; and don't you fear to die; For out in that fairer country I will find you by and by; And I'll stand by you, old fellow, and our love will surely win, For never a heaven shall harbor me where they won't let Roger in. When I reach that city glorious, behind the waiting dark, Just come and stand outside the gate, and wag your tail and bark— I'll hear your voice, and I'll know it, and I'll come to the gate and say:[Pg 63] "Saint Peter, that's my dog out there, you must let him come this way." And then if the saint refuses, I'll go to the One above, And say: "Old Roger is at the gate, with his heart brim full of love; And there isn't a shining angel, of all the heavenly band, Who ever lived a nobler life than he in the earthly land." Then I know the gate will open, and you will come frisking in, And we'll roam fair fields together, in that country free from sin. So never you mind, old Roger, if your time has come to go; You've been true to me, I'll be true to you—and the Lord is good, we know. You're only a dog, old fellow; a dog, and you've had your day—[Pg 64] Well, I'm getting there myself, old boy, and I haven't long to stay; But you've stood by me, old Comrade, and I'm bound to stand by you; So don't you worry, old Roger, for our love will pull us through.</td></tr></table> <hr style="width: 65%;" /> [Pg 65] "SIR BAT-EARS" BY MRS. EDEN From Punch By permission of the Author, and special permission of the Proprietors of London Punch [Pg 66] <hr style="width: 65%;" /> [Pg 67] "SIR BAT-EARS" <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Sir Bat-ears was a dog of birth And bred in Aberdeen, But he favoured not his noble kin And so his lot is mean, And Sir Bat-ears sits by the almshouses On the stones with grass between. Under the ancient archway His pleasure is to wait Between the two stone pineapples That flank the weathered gate; And old, old alms-persons go by, All rusty, bent and black, "Good-day, good-day, Sir Bat-ears," They say and stroke his back. And old, old alms-persons go by, Shaking and well-nigh dead, "Good-night, good-night, Sir Bat-ears!"[Pg 68] They say and pat his head. So courted and considered He sits out hour by hour, Benignant in the sunshine And prudent in the shower. (Nay, stoutly can he stand a storm And stiffly breast the rain, That rising when the cloud is gone He leaves a circle of dry stone Whereon to sit again.) A dozen little door steps Under the arch are seen, A dozen aged alms-persons To keep them bright and clean: Two wrinkled hands to scour each step With a square of yellow stone— But print-marks of Sir Bat-ears' paws[Pg 69] Bespeckle every one. And little eats an alms-person, But, though his board be bare, There never lacks a bone of the best To be Sir Bat-ears' share. Mendicant muzzle and shrewd nose, He quests from door to door; Their grace they say—his shadow gray Is instant on the floor, Humblest of all the dogs there be, A pensioner of the poor.</td></tr></table> [Pg 70] <hr style="width: 65%;" /> [Pg 71] CLUNY BY WILLIAM CROSWELL DOANE From The Boston Evening Transcript By permission [Pg 72] <hr style="width: 65%;" /> [Pg 73] CLUNY <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> I am quite sure he thinks that I am God— Since He is God on whom each one depends For life, and all things that His bounty sends— My dear old dog, most constant of all friends; Not quick to mind, but quicker far than I To Him whom God I know and own; his eye Deep brown and liquid, watches for my nod; He is more patient underneath the rod Than I, when God His wise corrections sends. He looks love at me, deep as words e'er spake; And from me never crumb or sup will take But he wags thanks with his most vocal tail; And when some crashing noise wakes all his fear He is content and quiet if I'm near, Secure that my protection will prevail; So, faithful, mindful, thankful, trustful, he[Pg 74] Tells me what I unto my God should be.</td></tr> <tr><td> </td></tr> <tr><td align="center">May 24-25, 1902.</td></tr> <tr><td> </td></tr> <tr><td>He had lived out his life, but not his love; Daily up steep and weary stair he came, His big heart bursting with the strain, to prove His loneliness without me. Just the same Old word of greeting beamed in his deep eye, With a new look of wonder in it, asking why "The whole creation groans and travails." He And I there faced the mystery of pain. Finding me dumb and helpless, down again He went, unanswered, with the dawn to die, And find the mystery opened with the key, "The creature from corruption's bondage free."</td></tr></table> <hr style="width: 65%;" /> [Pg 75] LADDIE From America the Beautiful and Other Poems BY KATHARINE LEE BATES By permission of the Author, and of the Publishers Thomas Y. Crowell Company, New York [Pg 76] <hr style="width: 65%;" /> [Pg 77] LADDIE <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Lowly the soul that waits At the white, celestial gates, A threshold soul to greet Belovèd feet. Down the streets that are beams of sun Cherubim children run; They welcome it from the wall; Their voices call. But the Warder saith: "Nay, this Is the City of Holy Bliss. What claim canst thou make good To angelhood?" "Joy," answereth it from eyes That are amber ecstasies, Listening, alert, elate, Before the gate. Oh, how the frolic feet[Pg 78] On lonely memory beat! What rapture in a run 'Twixt snow and sun! "Nay, brother of the sod, What part hast thou in God? What spirit art thou of?" It answers: "Love," Lifting its head, no less Cajoling a caress, Our winsome collie wraith, Than in glad faith The door will open wide, Or kind voice bid: "Abide, A threshold soul to greet The longed-for feet." Ah, Keeper of the Portal, If Love be not immortal, If Joy be not divine, What prayer is mine?</td></tr></table> <hr style="width: 65%;" /> [Pg 79] DAVY BY LOUISE IMOGEN GUINEY From Century Magazine By permission of the Author, and of The Century Company New York [Pg 80] <hr style="width: 65%;" /> [Pg 81] DAVY <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Davy, her knight, her dear, was dead: Low in dust was the silken head. "Isn't there heaven," (She was but seven) "Isn't there" (sobbing) "for dogs?" she said. "Man is immortal, sage or fool: Animals end, by different rule." So had they prated Of things created, An hour before, in her Sunday-school. Trusty and glad and true, who could Match her hero of hardihood, Rancorless, selfless, Prideless, pelfless?— How I should like to be half so good! Firebrand eye and icicle nose;[Pg 82] Ear inwrought like a guelder-rose; All the sweet wavy Beauty of Davy;— Sad, not to answer whither it goes! "Isn't there heaven for dogs that's dead? God made Davy, out of His head: If He unmake him, Doesn't He take him? Why should He throw him away?" she said. The birds were busy, the brook was gay, But the little hand was in mine all day. Nothing could bury That infinite query: "Davy,—would God throw him away?"</td></tr></table> <hr style="width: 65%;" /> [Pg 83] A FRIEND BY ZITELLA COCKE From The Youth's Companion By permission of the Author and of The Youth's Companion [Pg 84] <hr style="width: 65%;" /> [Pg 85] A FRIEND <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> "Your invitation, sir, to dine With you to-night I must decline Because to-day I lost a friend— A friend long known and loved;" thus penned The good Sir Walter, aptly named The Wizard of the North, and famed For truest, gentlest heart, among The homes that love the English tongue. Great heart, that felt the soul of things In all its high imaginings, And showed, mid vexing stress and strife Of worldly cares, a hero's life! An humble friend it was he loved, And oft together they had roved The heather hills and sweet brae side, Or braved the rushing river's tide, And many a frosty winter night Sat musing by the warm firelight— A faithful friend, whom chance and change[Pg 86] Of fleeting years could ne'er estrange. For he who once has gained the love And friendship of a dog shall prove Thro' joy and sorrow to the end The deep devotion of a friend. What is it? More than instinct fine, This something man cannot divine, Which speaks from eyes where lips are mute, Which makes the creature we name brute The noblest pattern we may see Of loving, lasting loyalty. We dare not call it mind or soul, We know not what or where its goal, But aye we know its little span Of life spells large—Friendship to man; Nor wonder Scott, in grief, should say, "I lost a much-loved friend to-day!"</td></tr></table> <hr style="width: 65%;" /> [Pg 87] THE BATH BY R. C. LEHMANN From Punch By permission of the Author, and special permission of the Proprietors of London Punch [Pg 88] <hr style="width: 65%;" /> [Pg 89] THE BATH <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Hang garlands on the bathroom door; Let all the passages be spruce; For, lo, the victim comes once more, And, ah, he struggles like the deuce! Bring soaps of many scented sorts; Let girls in pinafores attend, With John, their brother, in his shorts, To wash their dusky little friend, Their little friend, the dusky dog, Short-legged and very obstinate, Faced like a much-offended frog, And fighting hard against his fate. No Briton he! From palace-born Chinese patricians he descends; He keeps their high ancestral scorn; His spirit breaks, but never bends. Our water-ways he fain would 'scape;[Pg 90] He hates the customary bath That thins his tail and spoils his shape, And turns him to a fur-clad lath; And, seeing that the Pekinese Have lustrous eyes that bulge like buds, He fain would save such eyes as these, Their owner's pride, from British suds. Vain are his protests—in he goes. His young barbarians crowd around; They soap his paws, they soap his nose; They soap wherever fur is found. And soon, still laughing, they extract His limpness from the darkling tide; They make the towel's roughness act On back and head and dripping side. They shout and rub and rub and shout— He deprecates their odious glee— Until at last they turn him out,[Pg 91] A damp gigantic bumble-bee. Released, he barks and rolls, and speeds From lawn to lawn, from path to path, And in one glorious minute needs More soapsuds and another bath.</td></tr></table> [Pg 92] <hr style="width: 65%;" /> [Pg 93] SIX FEET From a friend [Pg 94] <hr style="width: 65%;" /> [Pg 95] "SIX FEET" <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> "My little rough dog and I Live a life that is rather rare. We have so many good walks to take And so few hard things to bear; So much that gladdens and recreates, So little of wear and tear." "Sometimes it blows and rains, But still the six feet ply No care at all to the following four If the leading two know why. 'Tis a pleasure to have six feet, we think, My little rough dog and I." "And we travel all one way; 'Tis a thing we should never do, To reckon the two without the four, Or the four without the two. It would not be right if anyone tried,[Pg 96] Because it would not be true." "And who shall look up and say That it ought not so to be, Tho' the earth is Heaven enough for him, Is it less than that to me? For a little rough dog can make A joy that enters eternity!"</td></tr></table> <hr style="width: 65%;" /> [Pg 97] WILHELM BY PATRICK R. CHALMERS From Punch By permission of the Author, and special permission of the Proprietors of London Punch [Pg 98] <hr style="width: 65%;" /> [Pg 99] WILHELM <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> "No good thing comes from out of Kaiserland," Says Phyllis; but beside the fire I note One Wilhelm, sleek in tawny gold of coat, Most satin-smooth to the caresser's hand. A velvet mien; an eye of amber, full Of that which keeps the faith with us for life; Lover of meal times; hater of yard-dog strife; Lordly, with silken ears most strokeable. Familiar on the hearth, refuting her, He sits, the antic-pawed, the proven friend, The whimsical, the grave and reverend— Wilhelm the Dachs from out of Hanover.</td></tr></table> [Pg 100] <hr style="width: 65%;" /> [Pg 101] AN OLD DOG BY CELIA DUFFIN From The Spectator By permission of the Author, The London Spectator, and Maunsel and Company, Ltd. Dublin [Pg 102] <hr style="width: 65%;" /> [Pg 103] AN OLD DOG <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Now that no shrill hunting horn Can arouse me at the morn, Deaf I lie the long day through, Dreaming firelight dreams of you; Waiting, patient through it all, Till the greater Huntsman call. If we are, as people say, But the creatures of a day, Let me live, when we must part, A little longer in your heart. You were all the God I knew, I was faithful unto you.</td></tr></table> [Pg 104] <hr style="width: 65%;" /> [Pg 105] REMARKS TO MY GROWN-UP PUP From Rhymes of Home BY BURGES JOHNSON By permission of the Author, and of the Publishers G. P. Putnam's Sons, New York [Pg 106] <hr style="width: 65%;" /> [Pg 107] REMARKS TO MY GROWN-UP PUP <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> By rules of fitness and of tense, By all old canine precedents, Oh, Adult Dog, the time is up When I may fondly call you Pup. The years have sped since first you stood In straddle-legged puppyhood,— A watch-pup, proud of your renown, Who barked so hard you tumbled down. In Age's gain and Youth's retreat You've found more team-work for your feet, You drool a soupçon less, and hark! There's fuller meaning to your bark. But answer fairly, whilom pup, Are these full proof of growing up? I heard an elephantine tread That jarred the rafters overhead: Who leaped in mad abandon there And tossed my slippers in the air?[Pg 108] Who, sitting gravely on the rug, Espied a microscopic bug And stalked it, gaining bit by bit,— Then leapt in air and fell on it? Who gallops madly down the breeze Pursuing specks that no one sees, Then finds some ancient boot instead And worries it till it is dead? I have no adult friends who choose To gnaw the shoe-strings from my shoes,— Who eat up twine and paper scraps And bark while they are taking naps. Oh Dog, you offer every proof That stately age yet holds aloof. Grown up? There's meaning in the phrase Of dignity as well as days. Oh why such size, beloved pup?— You've grown enough, but not grown up.</td></tr></table> <hr style="width: 65%;" /> [Pg 109] AN EXTRACT FROM INSCRIPTION ON THE MONUMENT OF A NEWFOUNDLAND DOG BY LORD BYRON [Pg 110] <hr style="width: 65%;" /> [Pg 111] AN EXTRACT FROM INSCRIPTION ON THE MONUMENT OF A NEWFOUNDLAND DOG <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> ... "In life the firmest friend, The first to welcome, foremost to defend, Whose honest heart is still his master's own, Who labours, fights, lives, breathes for him alone." "Near this spot Are deposited the Remains of one Who possessed Beauty without Vanity, Strength without Insolence, Courage without Ferocity, And all the Virtues of Man without his Vices. This Praise, which would be unmeaning Flattery If inscribed over human ashes,[Pg 112] Is but a just tribute to the Memory of Boatswain, a Dog, Who was born at Newfoundland, May, 1803, And died at Newstead Abbey, Nov. 18, 1808."</td></tr></table> <hr style="width: 65%;" /> [Pg 113] TO TIM, AN IRISH TERRIER BY W. M. LETTS By permission of the Author and of the Westminster Gazette, London [Pg 114] <hr style="width: 65%;" /> [Pg 115] TO TIM, AN IRISH TERRIER <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> O jewel of my heart, I sing your praise, Though you who are, alas! of middle age Have never been to school, and cannot read The weary printed page. I sing your eyes, two pools in shadowed streams, Where your soul shines in depths of sunny brown, Alertly raised to read my every mood Or thoughtfully cast down. I sing the little nose, so glossy wet, The well-trained sentry to your eager mind, So swift to catch the delicate glad scent Of rabbits on the wind. Ah, fair to me your wheaten-coloured coat, And fair the darker velvet of your ear, Ragged and scarred with old hostilities[Pg 116] That never taught you fear. But oh! your heart, where my unworthiness Is made perfection by love's alchemy, How often does your doghood's faith cry shame To my inconstancy. At last I know the hunter Death will come And whistle low the call you must obey. So you will leave me, comrade of my heart, To take a lonely way. Some tell me, Tim, we shall not meet again, But for their loveless logic need we care?— If I should win to Heav'n's gate I know You will be waiting there.</td></tr></table> <hr style="width: 65%;" /> [Pg 117] MY DOG BY ANNA HADLEY MIDDLEMAS By permission of the Author and of The Boston Evening Transcript [Pg 118] <hr style="width: 65%;" /> [Pg 119] MY DOG <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> He's just plain yellow: no "blue-ribbon" breed. In disposition—well, a trifle gruff Outside his "tried and true." His coat is rough. To bark at night and sleep by day, his creed. Yet, when his soft brown eyes so dumbly plead For one caress from my too-busy hand, I wonder from what far and unknown land Came the true soul, which in his gaze I read. Whence all his loyalty and faithful zeal? Why does he share my joyous mood, and gay? Why mourn with me, when I perchance do mourn? When hunger-pressed, why scorn a bounteous meal That by my side he may pursue his way? Whence came his noble soul, and where its bourn?</td></tr></table> [Pg 120] <hr style="width: 65%;" /> [Pg 121] "WITHOUT ARE DOGS" BY EDWARD A. CHURCH By permission of the Author and of the Century Magazine [Pg 122] <hr style="width: 65%;" /> [Pg 123] "WITHOUT ARE DOGS" <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> If, through some wondrous miracle of grace, To the Celestial City I might win, And find upon the golden pavement place, The gates of pearl within; In some sweet pausing of the immortal song To which the choiring Seraphim give birth, Should I not for that humbler greeting long Known in the dumb companionships of earth? Friends whom the softest whistle of my call Brought to my side in love that knew no doubt, Would I not seek to cross the jasper wall If haply I might find you there "without"?</td></tr></table> [Pg 124] <hr style="width: 65%;" /> [Pg 125] YOU'RE A DOG BY C. L. GILMAN By permission of the Author and of Outing Publishing Co., N. Y. [Pg 126] <hr style="width: 65%;" /> [Pg 127] YOU'RE A DOG <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> At the kennel where they bred you they were raising fancy pets, Yellow didn't matter, so the blood was blue. But the Red Gods mixed a medicine that cancelled all their bets— Make your tail say "thanks," they've made a dog of you. You have heard the wolf-pack howling and have barked a full defiance; You have chased the moose and routed out the deer; You have worked and played and lived with man in honorable alliance, You have shared his tent and campfire as his peer. When you might have copped the ribbon you have worn the harness-collar,[Pg 128] Pulling thrice your weight through brush and slush and bog. Sure, you might have been a "champion," without value save the dollar, But the Red Gods made you priceless—YOU'RE A DOG!</td></tr></table> <hr style="width: 65%;" /> [Pg 129] A GENTLEMAN From New Orleans Times-Picayune By permission of New Orleans Times-Picayune [Pg 130] <hr style="width: 65%;" /> [Pg 131] A GENTLEMAN <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> I own a dog who is a gentleman; By birth most surely, since the creature can Boast of a pedigree the like of which Holds not a Howard or a Metternich. By breeding. Since the walks of life he trod, He never wagged an unkind talk abroad. He never snubbed a nameless cur because Without a friend or credit card he was. By pride. He looks you squarely in the face Unshrinking and without a single trace Of either diffidence or arrogant Assertion such as upstarts often flaunt. By tenderness. The littlest girl may tear With absolute impunity his hair, And pinch his silken flowing ears the while[Pg 132] He smiles upon her—yes, I've seen him smile. By loyalty. No truer friend than he Has come to prove his friendship's worth to me, He does not fear the master—knows no fear— But loves the man who is his master here. By countenance. If there be nobler eyes, More full of honor and of honesties, In finer head, on broader shoulders found— Then have I never met the man or hound. Here is the motto of my lifeboat's log: "God grant I may be worthy of my dog!"</td></tr></table> <hr style="width: 65%;" /> [Pg 133] MY DOG BY ST. JOHN LUCAS [Pg 134] <hr style="width: 65%;" /> [Pg 135] MY DOG <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> The Curate thinks you have no soul: I know that he has none. But you, Dear friend! whose solemn self-control In our four-square, familiar pew, Was pattern to my youth—whose bark Called me in summer dawns to rove— Have you gone down into the dark Where none is welcome, none may love? I will not think those good brown eyes Have spent their light of truth so soon, But in some canine Paradise Your wraith, I know, rebukes the moon, And quarters every plain and hill, Seeking its master—As for me, This prayer at least the gods fulfil: That when I pass the flood and see Old Charon by the Stygian coast[Pg 136] Take toll of all the shades who land, Your little, faithful, barking ghost May leap to lick my phantom hand.</td></tr></table> <hr style="width: 65%;" /> [Pg 137] TO SCOTT (A collie, for nine years our friend) BY W. M. LETTS By permission of the Author and of the Westminster Gazette, London [Pg 138] <hr style="width: 65%;" /> [Pg 139] TO SCOTT (A collie, for nine years our friend) <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Old friend, your place is empty now. No more Shall we obey the imperious deep-mouthed call That begged the instant freedom of our hall. We shall not trace your foot-fall on the floor Nor hear your urgent paws upon the door. The loud-thumped tail that welcomed one and all, The volleyed bark that nightly would appal Our tim'rous errand boys—these things are o'er. But always yours shall be a household name, And other dogs must list' your storied fame; So gallant and so courteous, Scott, you were, Mighty abroad, at home most debonair.[Pg 140] Now God Who made you will not count it blame That we commend your spirit to His care.</td></tr></table> <hr style="width: 65%;" /> [Pg 141] "DODO," 1903-1913 BY ARTHUR AUSTIN-JACKSON From The Spectator By permission of The London Spectator [Pg 142] <hr style="width: 65%;" /> [Pg 143] "DODO" 1903-1913 <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Here lies a little dog who now Asks nothing more of man's goodwill Than the grey stone that tells you how She loved the friends who love her still.</td></tr></table>   Sir Walter Scott's translation of Lockhart's epitaph for "Maida's grave" <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> "Beneath the sculptured form which late you wore Sleep soundly Maida, at your master's door."</td></tr></table> [Pg 144] <hr style="width: 65%;" /> [Pg 145] "HAMISH" A SCOTCH TERRIER From The London Spectator BY C. HILTON BROWN [Pg 146] <hr style="width: 65%;" /> [Pg 147] "HAMISH"; A SCOTCH TERRIER <table border="0" cellpadding="0" cellspacing="0" summary="table"> <tr><td> Little lad, little lad, and who's for an airing, Who's for the river and who's for a run; Four little pads to go fitfully faring, Looking for trouble and calling it fun? Down in the sedges the water-rats revel, Up in the wood there are bunnies at play With a weather-eye wide for a Little Black Devil: But the Little Black Devil won't come to-day. To-day at the farm the ducks may slumber, To-day may the tabbies an anthem raise; Rat and rabbit beyond all number To-day untroubled may go their ways: To-day is an end of the shepherd's labour, No more will the sheep be hunted astray; And the Irish terrier, foe and neighbour, Says, "What's old Hamish about to-day?" Ay, what indeed? In the nether spaces[Pg 148] Will the soul of a Little Black Dog despair? Will the Quiet Folk scare him with shadow-faces? And how will he tackle the Strange Beasts there? Tail held high, I'll warrant, and bristling, Marching stoutly if sore afraid, Padding it steadily, softly whistling;— That's how the Little Black Devil was made. Then well-a-day for a "cantie callant," A heart of gold and a soul of glee,— Sportsman, gentleman, squire and gallant,— Teacher, maybe, of you and me. Spread the turf on him light and level, Grave him a headstone clear and true— "Here lies Hamish, the Little Black Devil, And half of the heart of his mistress too."</td></tr></table> <hr style="width: 65%;" /> The Riverside Press CAMBRIDGE . MASSACHUSETTS U . S . A <div style="break-after:column;"></div>

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