<h2><span class="pagenum"><SPAN name="Page_209" id="Page_209"></SPAN></span><SPAN name="x" id="x"></SPAN> <small><span class="smcap">Episode Ten</span></small></h2>
<h2>THE TWILIGHT OF MIKE</h2>
<h3>I</h3>
<p class="cap">WHEN Quintana turned like an enraged snake on Sard and drove him to his
destruction, he would have killed and robbed the frightened diamond
broker had he dared risk the shot. He had intended to do this anyway,
sooner or later. But with the noise of the hunting dogs filling the
forest, Quintana was afraid to fire. Yet, even then he followed Sard
stealthily for a few minutes, afraid yet murderously desirous of the
gems, confused by the tumult of the hounds, timid and ferocious at the
same time, and loath to leave his fat, perspiring, and demoralised
victim.</p>
<p>But the racket of the dogs proved too much for Quintana. He sheered away
toward the South, leaving Sard floundering on ahead, unconscious of the
treachery that had followed furtively in his panic-stricken tracks.</p>
<p>About an hour later Quintana was seen, challenged, chased and shot at by
State Trooper Lannis.</p>
<p>Quintana ran. And what with the dense growth of seedling beech and oak
and the heavily falling birch and poplar leaves, Lannis first lost
Quintana and then his trail.</p>
<p>The State Trooper had left his horse at the cross-roads near the scene
of Darragh's masked exploit, where he had stopped and robbed Sard—and
now Lannis hastened back<span class="pagenum"><SPAN name="Page_210" id="Page_210"></SPAN></span> to find and mount his horse, and gallop
straight into the first growth timber.</p>
<p>Through dim aisles of giant pine he spurred to a dead run on the chance
of cutting Quintana from the eastward edge of the forest and forcing him
back toward the north or west, where patrols were more than likely to
hold him.</p>
<p>The State Trooper rode with all the reckless indifference and grace of
the Western cavalryman, and he seemed to be part of the superb animal he
rode—part of its bone and muscle, its litheness, its supple power—part
of its vertebræ and ribs and limbs, so perfect was their bodily
co-ordination.</p>
<p>Rifle and eyes intently alert, the rider scarce noticed his rushing
mount; and if he guided with wrist and knee it was instinctive and as
though the horse were guiding them both.</p>
<p>And now, far ahead through this primeval stand of pine, sunshine
glimmered, warning of a clearing. And here Trooper Lannis pulled in his
horse at the edge of what seemed to be a broad, flat meadow, vividly
green.</p>
<p>But it was the intense, arsenical green of hair-fine grass that covers
with its false velvet those quaking bogs where only a thin, crust-like
skin of root-fibre and vegetation cover infinite depths of silt.</p>
<p>The silt had no more substance than a drop of ink colouring the water in
a tumbler.</p>
<p>Sitting his fast-breathing mount, Lannis searched this wide, flat
expanse of brilliant green. Nothing moved on it save a great heron
picking its deliberate way on stilt-like legs. It was well for Quintana
that he had not attempted it.</p>
<p>Very cautiously Lannis walked his horse along the hard<span class="pagenum"><SPAN name="Page_211" id="Page_211"></SPAN></span> ground which
edged this marsh on the west. Nowhere was there any sign that Quintana
had come down to the edge among the shrubs and swale grasses.</p>
<p>Beyond the marsh another trooper patrolled; and when at length he and
Lannis perceived each other and exchanged signals, the latter wheeled
his horse and retraced his route at an easy canter, satisfied that
Quintana had not yet broken cover.</p>
<p>Back through the first growth he cantered, his rifle at a ready,
carefully scanning the more open woodlands, and so came again to the
cross-roads.</p>
<p>And here stood a State Game Inspector, with a report that some sort of
beagle-pack was hunting in the forest to the northwest; and very curious
to investigate.</p>
<p>So it was arranged that the Inspector should turn road-patrol and the
Trooper become the rover.</p>
<p>There was no sound of dogs when Lannis rode in on the narrow, spotted
trail whence he had flushed Quintana into the dense growth of saplings
that bordered it.</p>
<p>His horse made little noise on the moist layer of leaves and forest
mould; he listened hard for the sound of hounds as he rode; heard
nothing save the chirr of red squirrels, the shriek of a watching jay,
or the startling noise of falling acorns rapping and knocking on great
limbs in their descent to the forest floor.</p>
<p>Once, very, very far away westward in the direction of Star Pond he
fancied he heard a faint vibration in the air that might have been
hounds baying.</p>
<p>He was right. And at that very moment Sard was dying, horribly, among
two trapped otters as big and fierce as the dogs that had driven them
into the drain.</p>
<p><span class="pagenum"><SPAN name="Page_212" id="Page_212"></SPAN></span>But Lannis knew nothing of that as he moved on, mounted, along the
spotted trail, now all a yellow glory of birch and poplar which made the
woodland brilliant as though lighted by yellow lanterns.</p>
<p>Somewhere among the birches, between him and Star Pond, was Harrod
Place. And the idea occurred to him that Quintana might have ventured to
ask food and shelter there. Yet, that was not likely because Trooper
Stormont had called him that morning on the telephone from the Hatchery
Lodge.</p>
<p>No; the only logical retreat for Quintana was northward to the
mountains, where patrols were plenty and fire-wardens on duty in every
watch-tower. Or, the fugitive could make for Drowned Valley by a blind
trail which, Stormont informed him, existed but which Lannis never had
heard of.</p>
<p>However, to reassure himself, Lannis rode as far as Harrod Place, and
found game wardens on duty along the line.</p>
<p>Then he turned west and trotted his mount down to the hatchery, where he
saw Ralph Wier, the Superintendent, standing outside the lodge talking
to his assistant, George Fry.</p>
<p>When Lannis rode up on the opposite side of the brook, he called across
to Wier:</p>
<p>"You haven't seen anything of any crooked outfit around here, have you,
Ralph? I'm looking for that kind."</p>
<p>"See here," said the Superintendent, "I don't know but George Fry may
have seen one of your guys. Come over and he'll tell you what happened
an hour ago."</p>
<p>Trooper Lannis pivotted his horse and put him to the brook with scarcely
any take-off; and the splendid animal<span class="pagenum"><SPAN name="Page_213" id="Page_213"></SPAN></span> cleared the water like a deer and
came cantering up to the door of the lodge.</p>
<p>Fry's boyish face seemed agitated; he looked up at the State Trooper
with the flush of tears in his gaze and pointed at the rifle Lannis
carried:</p>
<p>"If I'd had <em>that</em> ," he said excitedly, "I'd have brought in a crook,
you bet!"</p>
<p>"Where did you see him?" inquired Lannis.</p>
<p>"Jest west of the Scaur, about an hour and a half ago. Wier and me was
stockin' the head of Scaur Brook with fingerlings. There's more good
water—two miles of it—to the east, and all it needed was a fish-ladder
around Scaur Falls.</p>
<p>"So I toted in cement and sand and grub last week, and I built me a
shanty on the Scaur, and I been laying up a fish-way around the falls.
So that's how I come there<span class="nowrap">——"</span> He clicked his teeth and darted a
furious glance at the woods. "By God," he said, "I was such a fool I
didn't take no rifle. All I had was an axe and a few traps.... I wasn't
going to let the mink get our trout whatever you fellows say," he added
defiantly, "—and law or no law<span class="nowrap">——"</span></p>
<p>"Get along with your story, young man," interrupted Lannis; "—you can
spill the rest out to the Commissioner."</p>
<p>"All right, then. This is the way it happened down to the Scaur. I was
eating lunch by the fish-stairs, looking up at 'em and kind of planning
how to save cement, and not thinking about anybody being near me, when
<em>something</em> made me turn my head.... You know how it is in the woods....
I kinda <em>felt</em> somebody near. And, by cracky!—there stood a man with a
big, black automatic pistol, and he had a bead on my belly.</p>
<p><span class="pagenum"><SPAN name="Page_214" id="Page_214"></SPAN></span>"'Well,' said I, 'what's troubling <em>you</em> and your gun, my friend?'—I
was that astonished.</p>
<p>"He was a slim-built, powerful guy with a foreign face and voice and
way. He wanted to know if he had the honour—as he put it—to introduce
himself to a detective or game constable, or a friend of Mike Clinch.</p>
<p>"I told him I wasn't any of these, and that I worked in a private
hatchery; and he called me a liar."</p>
<p>Young Fry's face flushed and his voice began to quiver:</p>
<p>"That's the way he misused me: and he backed me into the shanty and I
had to sit down with both hands up. Then he filled my pack-basket with
grub, and took my axe, and strapped my kit onto his back.... And
talking all the time in his mean, sneery, foreign way—and I guess he
thought he was funny, for he laughed at his own jokes.</p>
<p>"He told me his name was Quintana, and that he ought to shoot me for a
rat, but wouldn't because of the stink. Then he said he was going to do
a quick job that the police were too cowardly to do;—that he was
a-going to find Mike Clinch down to Drowned Valley and kill him; and if
he could catch Mike's daughter, too, he'd spoil her face for life<span class="nowrap">——"</span></p>
<p>The boy was breathing so hard and his rage made him so incoherent that
Lannis took him by the shoulder and shook him:</p>
<p>"What next?" demanded the Trooper impatiently. "Tell your story and quit
thinking how you were misused!"</p>
<p>"He told me to stay in the shanty for an hour or he'd do for me good,"
cried Fry.... "Once I got up and went to the door; and there he stood
by the brook, wolfing my lunch with both hands. I tell you he cursed and
drove me,<span class="pagenum"><SPAN name="Page_215" id="Page_215"></SPAN></span> like a dog, inside with his big pistol—my God—like a dog....</p>
<p>"Then, the next time I took a chance he was gone.... And I beat it here
to get me a rifle<span class="nowrap">——"</span> The boy broke down and sobbed: "He drove me
around—like a dog—he did<span class="nowrap">——"</span></p>
<p>"You leave that to me," interrupted Lannis sharply. And, to Wier: "You
and George had better get a gun apiece. That fellow <em>might</em> come back
here or go to Harrod Place if we starve him out."</p>
<p>Wier said to Fry: "Go up to Harrod Place and tell Jansen your story and
bring back two 45-70's.... And quit snivelling.... You may get a shot
at him yet."</p>
<p>Lannis had already ridden down to the brook. Now he jumped his horse
across, pulled up, called back to Wier:</p>
<p>"I think our man is making for Drowned Valley, all right. My mate,
Stormont, telephoned me that some of his gang are there, and that Mike
Clinch and his gang have them stopped on the other side! Keep your eye
on Harrod Place!"</p>
<p>And away he cantered into the North.</p>
<hr class="hr2" />
<p>Behind the curtains of her open window Eve Strayer, lying on her bed,
had heard every word.</p>
<p>Crouched there beside her pillow she peered out and saw Trooper Lannis
ride away; saw the Fry boy start toward Harrod Place on a run; saw Ralph
Wier watch them out of sight and then turn and re-enter the lodge.</p>
<p>Wrapped in Darragh's big blanket robe she got off the bed and opened her
chamber door as Wier was passing through the living-room.</p>
<p><span class="pagenum"><SPAN name="Page_216" id="Page_216"></SPAN></span>"Please—I'd like to speak to you a moment," she called.</p>
<p>Wier turned instantly and came to the partly open door.</p>
<p>"I want to know," she said, "where I am."</p>
<p>"Ma'am?"</p>
<p>"What is this place?"</p>
<p>"It's a hatchery<span class="nowrap">——"</span></p>
<p>"Whose?"</p>
<p>"Ma'am?"</p>
<p>"Whose lodge is this? Does it belong to Harrod Place?"</p>
<p>"We're h-hootch runners, Miss<span class="nowrap">——"</span> stammered Wier, mindful of
instructions, but making a poor business of deception; "—I and Hal
Smith, we run a 'Easy One,' and we strip trout for a blind and sell to
Harrod Place—Hal and I<span class="nowrap">——"</span></p>
<p>"<em>Who</em> is Hal Smith?" she asked.</p>
<p>"Ma'am?"</p>
<p>The girl's flower-blue eyes turned icy: "Who is the man who calls
himself Hal Smith?" she repeated.</p>
<p>Wier looked at her, red and dumb.</p>
<p>"Is he a Trooper in plain clothes?" she demanded in a bitter voice. "Is
he one of the Commissioner's spies? Are <em>you</em> one, too?"</p>
<p>Wier gazed miserably at her, unable to formulate a convincing lie.</p>
<p>She flushed swiftly as a terrible suspicion seized her:</p>
<p>"Is this Harrod property? Is Hal Smith old Harrod's heir? <em>Is</em> he?"</p>
<p>"My God, Miss<span class="nowrap">——"</span></p>
<p>"He <em>is</em> !"</p>
<p>"Listen, Miss<span class="nowrap">——"</span></p>
<p><span class="pagenum"><SPAN name="Page_217" id="Page_217"></SPAN></span>She flung open the door and came out into the living-room.</p>
<p>"Hal Smith is that nephew of old Harrod," she said calmly. "His name is
Darragh. And you are one of his wardens.... And I can't stay here. Do
you understand?"</p>
<p>Wier wiped his hot face and waited. The cat was out; there was a hole in
the bag; and he knew there was no use in such lies as he could tell.</p>
<p>He said: "All I know, Miss, is that I was to look after you and get you
whatever you want<span class="nowrap">——"</span></p>
<p>"I want my clothes!"</p>
<p>"Ma'am?"</p>
<p>"My <em>clothes</em> !" she repeated impatiently. "I've <em>got</em> to have them!"</p>
<p>"Where are they, ma'am?" asked the bewildered man.</p>
<p>At the same moment the girl's eyes fell on a pile of men's sporting
clothing—garments sent down from Harrod Place to the Lodge—lying on a
leather lounge near a gun-rack.</p>
<p>Without a glance at Wier, Eve went to the heap of clothing, tossed it
about, selected cords, two pairs of woollen socks, grey shirt, puttees,
shoes, flung the garments through the door into her own room, followed
them, and locked herself in.</p>
<hr class="hr2" />
<p>When she was dressed—the two heavy pairs of socks helping to fit her
feet to the shoes—she emptied her handful of diamonds, sapphires and
emeralds, including the Flaming Jewel, into the pockets of her breeches.</p>
<p>Now she was ready. She unlocked her door and went out, scarcely limping
at all, now.</p>
<p><span class="pagenum"><SPAN name="Page_218" id="Page_218"></SPAN></span>Wier gazed at her helplessly as she coolly chose a rifle and
cartridge-belt at the gun-rack.</p>
<p>Then she turned on him as still and dangerous as a young puma:</p>
<p>"Tell Darragh he'd better keep clear of Clinch's," she said. "Tell him I
always thought he was a rat. Now I know he's one."</p>
<p>She plunged one slim hand into her pocket and drew out a diamond.</p>
<p>"Here," she said insolently. "This will pay your <em>gentleman</em> for his gun
and clothing."</p>
<p>She tossed the gem onto a table, where it rolled, glittering.</p>
<p>"For heaven's sake, Miss<span class="nowrap">——"</span> burst out Wier, horrified, but she cut him
short:</p>
<p>"—He may keep the change," she said. "We're no swindlers at Clinch's
Dump!"</p>
<p>Wier started forward as though to intercept her. Eve's eyes flamed. And
he stood still. She wrenched open the door and walked out among the
silver birches.</p>
<p>At the edge of the brook she stood a moment, coolly loading the magazine
of her rifle. Then, with one swift glance of hatred, flung at the place
that Harrod's money had built, she sprang across the brook, tossed her
rifle to her shoulder, and passed lithely into the golden wilderness of
poplar and silver birch.</p>
<h3>II</h3>
<p>Quintana, on a fox-trot along the rock-trail into Drowned Valley, now
thoroughly understood that it was the only<span class="pagenum"><SPAN name="Page_219" id="Page_219"></SPAN></span> sanctuary left him for the
moment. Egress to the southward was closed; to the eastward, also; and
he was too wary to venture westward toward Ghost Lake.</p>
<p>No, the only temporary safety lay in the swamps of Drowned Valley.</p>
<p>And there, he decided as he jogged along, if worse came to worst and
starvation drove him out, he'd settle matters with Mike Clinch and break
through to the north.</p>
<p>He meant to settle matters with Mike Clinch anyway. He was not afraid of
Clinch; not really afraid of anybody. It had been the dogs that
demoralised Quintana. He'd had no experience with hunting hounds,—did
not know what to expect,—how to manœuvre. If only he could have
<em>seen</em> these beasts that filled the forest with their hob-goblin
outcries—if he could have had a good look at the creatures who gave
forth that weird, crazed, melancholy volume of sound!<span class="nowrap">——</span></p>
<p>"Bon!" he said coolly to himself. "It was a crisis of nerves which I
experience. Yes.... I should have shot him, that fat Sard. Yes....
Only those damn dog<span class="nowrap">——</span> And now he shall die an' rot—that fat Sard—all
by himse'f, parbleu!—like one big dead thing all alone in the wood....
A puddle of guts full of diamonds! Ah!—mon dieu!—a million francs in
gems that shine like festering stars in this damn wood till the world
end. Ah, bah—nome de dieu de<span class="nowrap">——"</span></p>
<p>"Halte là!" came a sharp voice from the cedar fringe in front. A pause,
then recognition; and Henri Picquet walked out on the hard ridge beyond
and stood leaning on his rifle and looking sullenly at his leader.</p>
<p>Quintana came forward, carelessly, a disagreeable expression<span class="pagenum"><SPAN name="Page_220" id="Page_220"></SPAN></span> in his
eyes and on his narrow lips, and continued on past Picquet.</p>
<p>The latter slouched after his leader, who had walked over to the lean-to
before which a pile of charred logs lay in cold ashes.</p>
<p>As Picquet came up, Quintana turned on him, with a gesture toward the
extinguished fire: "It is cold like hell," he said. "Why do you not have
some fire?"</p>
<p>"Not for me, non," growled Picquet, and jerked a dirty thumb in the
direction of the lean-to.</p>
<p>And there Quintana saw a pair of muddy boots protruding from a blanket.</p>
<p>"It is Harry Beck, yes?" he inquired. Then <em>something</em> about the boots
and the blanket silenced him. He kept his eyes on them for a full
minute, then walked into the lean-to. The blanket also covered Harry
Beck's features and there was a stain on it where it outlined the
prostrate man's features, making a ridge over the bony nose.</p>
<p>After a moment Quintana looked around at Picquet:</p>
<p>"So. He is dead. Yes?"</p>
<p>Picquet shrugged: "Since noon, mon capitaine."</p>
<p>"Comment?"</p>
<p>"How shall I know? It was the fire, perhaps,—green wood or wet—it is
no matter now.... I said to him, 'Pay attention, Henri; your wood makes
too much smoke.' To me he reply I shall go to hell.... Well, there was
too much smoke for me. I arise to search for wood more dry, when,
crack!—they begin to shoot out there<span class="nowrap">——"</span> He waved a dirty hand toward
the forest.</p>
<p>"'Bon,' said I, 'Clinch, he have seen your damn smoke!'</p>
<p>"'What shall I care?' he make reply, Henri Beck, to me.<span class="pagenum"><SPAN name="Page_221" id="Page_221"></SPAN></span> 'Clinch he
shall shoot and be damn to him. I cook me my déjeûner all the same.'</p>
<p>"I make representations to that Johnbull; he say to me that I am a frog,
and other injuries, while he lay yet more wood on his sacré fire.</p>
<p>"Then crack! crack! crack! and zing-gg!—whee-ee! come the big bullets
of Clinch and his voyous yonder.</p>
<p>"'Bon,' I say, 'me, I make my excuse to retire.'</p>
<p>"Then Henri Beck he laugh and say, 'Hop it, frog!' And that is all he
has find time to say, when crack! spat! Bien droit he has it—tenez, mon
capitaine—here, over the left eye!... Like a beef surprise he go over,
crash! thump! And like a beef that dies, the air bellows out from his
big lungs<span class="nowrap">——"</span></p>
<p>Picquet looked down at the dead comrade in a sort of weary compassion
for such stupidity.</p>
<p>"—So he pass, this ros-biff goddam Johnbull.... Me, I roll him in
there.... Je ne sais pas pourquoi.... Then I put out the fire and
leave."</p>
<p>Quintana let his sneering glance rest on the dead a moment, and his thin
lip curled immemorial contempt for the Anglo-Saxon.</p>
<p>Then he divested himself of the basket-pack which he had stolen from the
Fry boy.</p>
<p>"Alors," he said calmly, "it has been Mike Clinch who shoot my frien'
Beck. Bien."</p>
<p>He threw a cartridge into the breech of his rifle, adjusted his
ammunition belt <em>en bandoulière</em> , carelessly.</p>
<p>Then, in a quiet voice: "My frien' Picquet, the time has now arrive when
it become ver' necessary that we go from<span class="pagenum"><SPAN name="Page_222" id="Page_222"></SPAN></span> here away. Donc—I shall now
go kill me my frien' Mike Clinch."</p>
<p>Picquet, unastonished, gave him a heavy, bovine look of inquiry.</p>
<p>Quintana said softly: "Me, I have enough already of this damn woods. Why
shall we starve here when there lies our path?" He pointed north; his
arm remained outstretched for a while.</p>
<p>"Clinch, he is there," growled Picquet.</p>
<p>"Also our path, l'ami Henri.... And, behind us, they hunt us now with
<em>dogs</em> ."</p>
<p>Picquet bared his big white teeth in fierce surprise. "Dogs?" he
repeated with a sort of snarl.</p>
<p>"That is how they now hunt us, my frien'—like they hunt the hare in the
Côte d'Or.... Me, I shall now reconnoitre—<em>that</em> way!" And he looked
where he was pointing, into the north—with smouldering eyes. Then he
turned calmly to Picquet: "An' you, l'ami?"</p>
<p>"At orders, mon capitaine."</p>
<p>"C'est bien. Venez."</p>
<p>They walked leisurely forward with rifles shouldered, following the hard
ridge out across a vast and flooded land where the bark of trees
glimmered with wet mosses.</p>
<p>After a quarter of a mile the ridge broadened and split into two, one
hog-back branching northeast! They, however, continued north.</p>
<p>About twenty minutes later Picquet, creeping along on Quintana's left,
and some sixty yards distant, discovered something moving in the woods
beyond, and fired at it. Instantly two unseen rifles spoke from the
woods ahead. Picquet was jerked clear around, lost his balance and
nearly<span class="pagenum"><SPAN name="Page_223" id="Page_223"></SPAN></span> fell. Blood was spurting from his right arm, between elbow and
shoulder.</p>
<p>He tried to lift and level his rifle; his arm collapsed and dangled
broken and powerless; his rifle clattered to the forest floor.</p>
<p>For a moment he stood there in plain view, dumb, deathly white; then he
began screaming with fury while the big, soft-nosed bullets came
streaming in all around him. His broken arm was hit again. His screaming
ceased; he dragged out his big clasp-knife with his left hand and
started running toward the shooting.</p>
<p>As he ran, his mangled arm flopping like a broken wing, Byron Hastings
stepped out from behind a tree and coolly shot him down at close
quarters.</p>
<p>Then Quintana's rifle exploded twice very quickly, and the Hastings boy
stumbled sideways and fell sprawling. He managed to rise to his knees
again; he even was trying to stand up when Quintana, taking his time,
deliberately began to empty his magazine into the boy, riddling him limb
and body and head.</p>
<p>Down once more, he still moved his arms. Sid Hone reached out from
behind a fallen log to grasp the dying lad's ankle and draw him into
shelter, but Quintana reloaded swiftly and smashed Hone's left hand with
the first shot.</p>
<p>Then Jim Hastings, kneeling behind a bunch of juniper, fired a
high-velocity bullet into the tree behind which Quintana stood; but
before he could fire again Quintana's shot in reply came ripping through
the juniper and tore a ghastly hole in the calf of his left leg,
striking a blow that knocked young Hastings flat and paralysed as a dead
flounder.</p>
<p>A mile to the north, blocking the other exit from<span class="pagenum"><SPAN name="Page_224" id="Page_224"></SPAN></span> Drowned Valley, Mike
Clinch, Harvey Chase, Cornelius Blommers, and Dick Berry stood listening
to the shooting.</p>
<p>"B'gosh," blurted out Chase, "it sounds like they was goin' through,
Mike. B'gosh, it does!"</p>
<p>Clinch's little pale eyes blazed, but he said in his soft, agreeable
voice:</p>
<p>"Stay right here, boys. Like as not some of 'em will come this way."</p>
<p>The shooting below ceased. Clinch's nostrils expanded and flattened with
every breath, as he stood glaring into the woods.</p>
<p>"Harve," he said presently, "you an' Corny go down there an' kinda look
around. And you signal if I'm wanted. G'wan, both o' you. Git!"</p>
<p>They started, running heavily, but their feet made little noise on the
moss.</p>
<p>Berry came over and stood near Clinch. For ten minutes neither man
moved. Clinch stared at the woods in front of him. The younger man's
nervous glance flickered like a snake's tongue in every direction, and
he kept moistening his lips with his tongue.</p>
<p>Presently two shots came from the south. A pause; a rattle of shots from
hastily emptied magazines.</p>
<p>"G'wan down there, Dick!" said Clinch.</p>
<p>"You'll be alone, Mike<span class="nowrap">——"</span></p>
<p>"Au' right. You do like I say; git along quick!"</p>
<p>Berry walked southward a little way. He had turned very white under his
tan.</p>
<p>"Gol ding ye!" shouted Clinch, "take it on a lope or I'll kick the pants
off'n ye!"</p>
<p>Berry began to run, carrying his rifle at a trail.</p>
<p><span class="pagenum"><SPAN name="Page_225" id="Page_225"></SPAN></span>For half an hour there was not a sound in the forests of Drowned Valley
except in the dead timber where unseen woodpeckers hammered fitfully at
the ghosts of ancient trees.</p>
<p>Always Clinch's little pale eyes searched the forest twilight in front
of him; not a falling leaf escaped him; not a chipmunk.</p>
<p>And all the while Clinch talked to himself; his lips moved a little now
and then, but uttered no sound:</p>
<p>"All I want God should do," he repeated again and again, "is to just let
Quintana come <em>my</em> way. 'Tain't for because he robbed my girlie. 'Tain't
for the stuff he carries onto him.... No, God, 'tain't them things. But
it's what that there skunk done to my Evie.... O God, be you listenin'?
He <em>hurt</em> her, Quintana did. That's it. He misused her.... God, if you
had seen my girlie's little bleeding feet!<span class="nowrap">——</span> <em>That's</em> the reason....
'Tain't the stuff. I can work. I can save for to make my Evie a lady
same's them high-steppers on Fifth Avenoo. I can moil and toil and slave
an' run hootch—hootch<span class="nowrap">——</span> They wuz wine 'n' fixin's into the Bible. It
ain't you, God, it's them fanatics.... Nobody in my Dump wanted I
should sell 'em more'n a bottle o' beer before this here prohybishun set
us all crazy. 'Tain't right.... O God, don't hold a little hootch agin
me when all I want of you is to let Quintana<span class="nowrap">——"</span></p>
<p>The slightest noise behind him. He waited, turned slowly. Eve stood
there.</p>
<p>Hell died in his pale eyes as she came to him, rested silently in his
gentle embrace, returned his kiss, laid her flushed, sweet cheek against
his unshaven face.</p>
<p><span class="pagenum"><SPAN name="Page_226" id="Page_226"></SPAN></span>"Dad, darling?"</p>
<p>"Yes, my baby<span class="nowrap">——"</span></p>
<p>"You're watching to kill Quintana. But there's no use watching any
longer."</p>
<p>"Have the boys below got him?" he demanded.</p>
<p>"They got one of his gang. Byron Hastings is dead. Jim is badly hurt;
Sid Hone, too,—not so badly<span class="nowrap">——"</span></p>
<p>"Where's Quintana?"</p>
<p>"Dad, he's gone.... But it don't matter. See here!——" She dug her
slender hand into her <SPAN name="breeches" id="breeches"></SPAN><ins title="missing ownership apostrophe in original">breeches'</ins> pocket and pulled out a little
fistful of gems.</p>
<p>Clinch, his powerful arm closing her shoulders, looked dully at the
jewels.</p>
<p>"You see, dad, there's no use killing Quintana. These are the things he
robbed you of."</p>
<p>"'Tain't them that matter.... I'm glad you got 'em. I allus wanted you
should be a great lady, girlie. Them's the tickets of admission. You put
'em in your pants. I gotta stay here a spell<span class="nowrap">——"</span></p>
<p>"Dad! Take them!"</p>
<p>He took them, smiled, shoved them into his pocket.</p>
<p>"What is it, girlie?" he asked absently, his pale eyes searching the
woods ahead.</p>
<p>"I've just told you," she said, "that the boys went in as far as
Quintana's shanty. There was a dead man there, too; but Quintana has
gone."</p>
<p>Clinch said,—not removing his eyes from the forest: "If any o' them
boys has let Quintana crawl through I'll kill <em>him</em> , too.... G'wan
home, girlie. I gotta mosey—I gotta kinda loaf around f'r a spell<span class="nowrap">——"</span></p>
<p>"Dad, I want you to come back with me<span class="nowrap">——"</span></p>
<p><span class="pagenum"><SPAN name="Page_227" id="Page_227"></SPAN></span>"You go home; you hear me, Eve? Tell Corny and Dick Berry to hook it for
Owl Marsh and stop the Star Peak trails—both on 'em.... Can Sid and
Jimmy walk?"</p>
<p>"Jim can't<span class="nowrap">——"</span></p>
<p>"Well, let Harve take him on his back. You go too. You help fix Jimmy up
at the house. He's a little fella, Jimmy Hastings is. Harve can tote
him. And you go along<span class="nowrap">——"</span></p>
<p>"Dad, Quintana says he means to kill you! What is the use of hurting
him? You have what he took<span class="nowrap">——"</span></p>
<p>"I gotta have more'n he took. But even that ain't enough. He couldn't
pay for all he ever done to me, girlie.... I'm aimin' to draw on him on
sight<span class="nowrap">——"</span></p>
<p>Clinch's set visage relaxed into an alarming smile which flickered,
faded, died in the wintry ferocity of his eyes.</p>
<p>"Dad<span class="nowrap">——"</span></p>
<p>"G'wan home!" he interrupted harshly. "You want that Hastings boy to
bleed to death?"</p>
<p>She came up to him, not uttering a word, yet asking him with all the
tenderness and eloquence of her eyes to leave this blood-trail where it
lay and hunt no more.</p>
<p>He kissed her mouth, infinitely tender, smiled; then, again prim and
scowling:</p>
<p>"G'wan home, you little scut, an' do what I told ye, or, by God, I'll
cut a switch that'll learn ye good! Never a word, now! On yer way!
G'wan!"</p>
<hr class="hr2" />
<p>Twice she turned to look back. The second time, Clinch was slowly
walking into the woods straight ahead of him. She waited; saw him go in;
waited. After a while she continued on her way.</p>
<p><span class="pagenum"><SPAN name="Page_228" id="Page_228"></SPAN></span>When she sighted the men below she called to Blommers and Dick Berry:</p>
<p>"Dad says you're to stop Star Peak trail by Owl Marsh."</p>
<p>Jimmy Hastings sat on a log, crying and looking down at his dead
brother, over whose head somebody had spread a coat.</p>
<p>Blommers had made a tourniquet for Jimmy out of a bandanna and a peeled
stick.</p>
<p>The girl examined it, loosened it for a moment, twisted it again, and
bade Harvey Chase take him on his back and start for Clinch's.</p>
<p>The boy began to sob that he didn't want his brother to be left out
there all alone; but Chase promised to come back and bring him in before
night.</p>
<p>Sid Hone came up, haggard from pain and loss of blood, resting his
mangled hand in the sling of his cartridge-belt.</p>
<p>Berry and Blommers were already starting across toward Owl Marsh; and
the latter, passing by, asked Eve where Mike was.</p>
<p>"He went into Drowned Valley by the upper outlet," she said.</p>
<p>"He'll never find no one in them logans an' sinks," muttered Chase,
squatting to hoist Jimmy Hastings to his broad back.</p>
<p>"I guess he'll be over Star Peak side by sundown," nodded Blommers.</p>
<p>Eve watched him slouching off into the woods, followed sullenly by
Berry. Then she looked down at the dead man in silence.</p>
<p>"Be you ready, Eve?" grunted Chase.</p>
<p>She turned with a heavy heart to the home trail; but her<span class="pagenum"><SPAN name="Page_229" id="Page_229"></SPAN></span> mind was
passionately with Clinch in the spectral forests of Drowned Valley.</p>
<h3>III</h3>
<p>And Clinch's mind was on her. All else—his watchfulness, his stealthy
advance—all the alertness of eye and ear, all the subtlety, the
cunning, the infinite caution—were purely instinctive mechanics.</p>
<p>Somewhere in this flooded twilight of gigantic trees was José Quintana.
Knowing that, he dismissed that fact from his mind and turned his
thoughts to Eve.</p>
<p>Sometimes his lips moved. They usually did when he was arguing with God
or calling his Creator's attention to the justice of his case. His <em>two</em>
cases—each, to him, a cause célèbre; the matter of Harrod; the affair
of Quintana.</p>
<p>Many a time he had pleaded these two causes before the Most High.</p>
<p>But now his thoughts were chiefly concerned with Eve—with the problem
of her future—his master passion—this daughter of the dead wife he had
loved.</p>
<p>He sighed unconsciously; halted.</p>
<p>"Well, Lord," he concluded, in his wordless way, "my girlie has gotta
have a chance if I gotta go to hell for it. That's sure as shootin'....
Amen."</p>
<p>At that instant he saw Quintana.</p>
<p>Recognition was instant and mutual. Neither man stirred. Quintana was
standing beside a giant hemlock. His pack lay at his feet.</p>
<p>Clinch had halted—always the mechanics!—close to a great ironwood
tree.</p>
<p><span class="pagenum"><SPAN name="Page_230" id="Page_230"></SPAN></span>Probably both men knew that they could cover themselves before the other
moved a muscle. Clinch's small, light eyes were blazing; Quintana's
black eyes had become two slits.</p>
<p>Finally: "You—dirty—skunk," drawled Clinch in his agreeably misleading
voice, "by Jesus Christ I got you now."</p>
<p>"Ah—h," said Quintana, "thees has happen ver' nice like I expec'....
Always I say myse'f, yet a little patience, José, an' one day you shall
meet thees fellow Clinch, who has rob you.... I am ver' thankful to the
good God<span class="nowrap">——"</span></p>
<p>He had made the slightest of movements: instantly both men were behind
their trees. Clinch, in the ferocious pride of woodcraft, laughed
exultingly—filled the dim and spectral forest with his roar of
laughter.</p>
<p>"Quintana," he called out, "you're a-going to cash in. Savvy? You're
a-going to hop off. An' first you gotta hear why. 'Tain't for the stuff.
Naw! I hooked it off'n you; you hooked it off'n me; now I got it again.
<em>That's</em> all square.... No, 'tain't <em>that</em> grudge, you green-livered
whelp of a cross-bred, still-born slut! No! It's becuz you laid the heft
o' your dirty little finger onto my girlie. 'N' now you gotta hop!"</p>
<p>Quintana's sinister laughter was his retort. Then: "You damfool Clinch,"
he said, "I got in my pocket what you rob of me. Now I kill you, and
then I feel ver' well. I go home, live like some kings; yes. But you,"
he sneered, "you shall not go home never no more. No. You shall remain
in thees damn wood like ver' dead old rat that is all wormy.... Hé! I
got a million dollaire—five million franc in my pocket. You shall learn
what it cost to rob José Quintana! Unnerstan'?"</p>
<p><span class="pagenum"><SPAN name="Page_231" id="Page_231"></SPAN></span>"You liar," said Clinch contemptuously, "I got them jools in my pants
pocket<span class="nowrap">——"</span></p>
<p>Quintana's derisive laugh cut him short: "I give you thee Flaming Jewel
if you show me you got my gems in you pants pocket!"</p>
<p>"I'll show you. Lay down your rifle so's I see the stock."</p>
<p>"First you, my frien' Mike," said Quintana cautiously.</p>
<p>Clinch took his rifle by the muzzle and shoved the stock into view so
that Quintana could see it without moving.</p>
<p>To his surprise, Quintana did the same, then coolly stepped a pace
outside the shelter of his hemlock stump.</p>
<p>"You show me now!" he called across the swamp.</p>
<p>Clinch stepped into view, dug into his pocket, and, cupping both hands,
displayed a glittering heap of gems.</p>
<p>"I wanted you should know who's gottem," he said, "before you hop. It'll
give you something to think over in hell."</p>
<p>Quintana's eyes had become slits again. Neither man stirred. Then:</p>
<p>"So you are buzzard, eh, Clinch? You feed on dead man's pockets, eh? You
find Sard somewhere an' you feed." He held up the morocco case,
emblazoned with the arms of the Grand Duchess of Esthonia, and shook it
at Clinch.</p>
<p>"In there is my share.... Not all. Ver' quick, now, I take yours,
too<span class="nowrap">——"</span></p>
<p>Clinch vanished and so did his rifle; and Quintana's first bullet struck
the moss where the stock had rested.</p>
<p>"You black crow!" jeered Clinch, laughing, "—I need that empty case of
yours. And I'm going after it<span class="pagenum"><SPAN name="Page_232" id="Page_232"></SPAN></span>.... But it's because your filthy claw
touched my girlie that you gotta hop!"</p>
<hr class="hr2" />
<p>Twilight lay over the phantom wood, touching with pallid tints the
flooded forest.</p>
<p>So far only that one shot had been fired. Both men were still
manœuvring, always creeping in circles and always lining some great
tree for shelter.</p>
<p>Now, the gathering dusk was making them bolder and swifter; and twice,
already, Clinch caught the shadow of a fading edge of something that
vanished against the shadows too swiftly for a shot.</p>
<p>Now Quintana, keeping a tree in line, brushed with his lithe back a
leafless moose-bush that stood swaying as he avoided it.</p>
<p>Instantly a stealthy hope seized him: he slipped out of his coat, spread
it on the bush, set the naked branches swaying, and darted to his tree.</p>
<p>Waiting, he saw that the grey blot his coat made in the dusk was still
moving a little—just vibrating a little bit in the twilight. He touched
the bush with his rifle barrel, then crouched almost flat.</p>
<p>Suddenly the red crash of a rifle lit up Clinch's visage for a fraction
of a second. And Quintana's bullet smashed Clinch between the eyes.</p>
<hr class="hr2" />
<p>After a long while Quintana ventured to rise and creep forward.</p>
<p>Night, too, came creeping like an assassin amid the ghostly trees.</p>
<p>So twilight died in the stillness of Drowned Valley and the pall of
night lay over all things,—living and dead alike.</p>
<hr />
<div style="break-after:column;"></div><br />