<SPAN name="b2ch6"></SPAN><h2>VI</h2>
<h3>THE MUMMER</h3>
<p>Alone with his secretary, Prince Victor Vassilyevski dropped indifferently
the guise of manner with which he had clothed himself for the benefit of
the woman whom he claimed as his own child. That semblance of shy affection
coloured by regrets for the past and modified by the native nobility of a
prince in exile--so becoming in a parent to whose bosom a daughter whom he
had never seen was suddenly restored--being of no more service for the
present, was incontinently discarded. In its stead Victor favoured Karslake
with a slow smile of understanding that broadened into an insuppressible
grin of successful malice, a grimace of crude exultation through which
peered out the impish savage mutinously imprisoned within a flimsy husk of
modern manner.</p>
<p>Suspecting this self-betrayal, he erased the grin swiftly, but not so
swiftly that Karslake failed to note it. And the young man, smiling amiably
and respectfully in return, was sensible of a thrill: yet another glimpse
had been given him into the mystery that slept behind that countenance
normally so impenetrable.</p>
<p>But he was studious to show nothing of his own emotion. It was his part to
be merely a mirror, to reflect rather than to feel, to be an instrument
infinitely supple and unfailing, never an independent intelligence. Not
otherwise could he count on holding his place in Victor's favour.</p>
<p>"You were quicker than I hoped."</p>
<p>"I had no trouble, sir," Karslake returned, cheerfully. "Things rather
played into my hands."</p>
<p>Victor dropped into a chair beside the table and lifted the lid of a small
golden casket. Helping himself to one of its store of cigarettes, he made
Karslake free of the remainder with a gracious hand. The secretary
demurred, producing his pocket case.</p>
<p>"If you don't mind, sir ..."</p>
<p>Victor moved a supercilious eyebrow. "Woodbines again?"</p>
<p>"Sorry, sir; I know they're pretty awful and all that, but they were all I
could get in France, and I contracted a taste for them I can't seem to
cure. I remember, while I lay in a hospital, hardly a whole bone in my
body, thanks to the Boche and his flying circus--it was that lot sent me
crashing, you know--the nurses used to tempt me with the finest Turkish;
but somehow I couldn't go them; I'd beg for Woodbines."</p>
<p>Prince Victor dismissed the subject curtly. "I am waiting to hear about
Sofia."</p>
<p>"Not much to tell, sir. There seemed to be a storm of sorts brewing when I
got there. The young woman was at her desk with a face like a thundercloud.
While I was trying to make up my mind what would be my best approach, she
jumped down, flew upstairs and, I gathered, kicked up a holy row. You see,
she'd seen that advertisement of Secretan & Sypher's, and smelt a rat."</p>
<p>"What did she say?"</p>
<p>"Nothing definite, sir: seemed to understand she was the daughter of
Princess Sofia Vassilyevski, only she objected to her father being anybody
but Michael Lanyard."</p>
<p>"Go on."</p>
<p>"After a bit she stampeded downstairs again, with the old girl and that
swine of a Dupont at her heels. I blocked him and gave Sofia a chance to
get outside. The whole establishment boiled out into the street after us,
yelling like fun, but I got the girl into the car ... and here we are."</p>
<p>But Prince Victor seemed to have lost interest. The glow ebbing from his
face, his lips tightening, the thick lids drooping low over his eyes, he
sat in apparent abstraction, aping the impassivity of the graven idols that
graced his study.</p>
<p>"I don't mind owning, sir," the younger man resumed, nervously, "she had me
sparring for wind when she put it to me point-blank her father's name was
Michael Lanyard."</p>
<p>Without moving Victor enquired in a dull voice: "What did you tell her?"</p>
<p>"That it was a name you had once used, sir, but.... Well, what you told
her, all except the Lone Wolf business. Don't mind telling you I was in a
rare funk till you capped my story so neatly."</p>
<p>He laughed and ventured with a hesitation quite boyish: "I say, Prince
Victor--if it's not an impertinent question--was there any truth in that? I
mean about your having been the Lone Wolf twenty years ago."</p>
<p>"Not a syllable," said Victor, dryly.</p>
<p>"Then your name never was Michael Lanyard?"</p>
<p>"Never, but ..."</p>
<p>During a long pause the secretary fidgeted inwardly but had the wisdom to
refrain from showing further inquisitiveness. He could see that strong
passions were working in Victor: a hand, extended upon the table, unclosed
and closed with a peculiar clutching action; the muscles contracted round
mouth and eyes, moulding the face into a cast of disquieting malevolence.
The voice, when at length it resumed, was bitter.</p>
<p>"But Michael Lanyard was my enemy ... and is to-day.... He became a lover
of Sofia's mother, he had a hand in overturning plans I had made, he
humiliated, mocked me.... And to-day he is interfering again.... But ..."</p>
<p>Victor sank back in his chair. Suddenly that unholy grin of his flashed and
faded.</p>
<p>"But now his impertinence fails, his insolence over-reaches itself. Now I
have the whip-hand and ... I shall use it!"</p>
<p>Vindictiveness that could find relief only in action mastered the man.</p>
<p>"Be good enough to take this dictation."</p>
<p>Karslake turned to the table and opened a portfolio of illuminated Spanish
leather.</p>
<p>"Ready, sir," he said, with pencil poised.</p>
<p><i>"To Michael Lanyard, Intelligence Division, the War Office, Whitehall.
Sir: Your daughter Sofia is now with me. Permit me to suggest that, in
consideration of this situation, you cease to meddle with my affairs. Your
own intelligence must tell you nothing could be more fatal than an attempt
to communicate with her."</i></p>
<p>"Sign on the typewriter with the initial <i>V</i>."</p>
<p>"Yes, sir."</p>
<p>"Type it on plain paper, use a plain envelope, be sure that neither has a
watermark, and get it off to-night without fail. Take a taxi to St. Pancras
station and post it there. If you make haste you can get it in a pillar-box
before the last collection."</p>
<p>"I shan't lose a minute, sir."</p>
<p>Karslake straightened up, folding the paper, and made for the door.</p>
<p>"One moment, Karslake.... This man, Nogam: where did you pick him up?"</p>
<p>"He used to buttle for my father, sir, but got into trouble--some domestic
unpleasantness, I believe--needed money, and raised a cheque. The old boy
let him off easy; but I've got the cheque, and Nogam knows it. The fellow's
perfectly trained and absolutely dependable, knows his place and his duties
and not another blessed thing. I'll send him in if you like."</p>
<p>Prince Victor uttered with dry accent: "Why?"</p>
<p>"Thought you might care to have a talk with him, sir."</p>
<p>"I have."</p>
<p>"Oh!" Mr. Karslake exclaimed--"I didn't know."</p>
<p>"Quite so," commented Prince Victor. "I shan't need you again to-night,
Karslake."</p>
<p>"Good-night, sir."</p>
<p>When the secretary had gone, Victor sat motionless, so still that his
breathing scarcely stirred his body, with a face absolutely imperturbable,
steadfastly gazing into that darkness which shrouded the workings of his
mind.</p>
<p>On the doorstep a shrill whistle sounded: Nogam calling Karslake's taxi.
Victor heard the vehicle roll in and stand panting at the curb, then the
slam of its door, the diminishing rumble of its departure.</p>
<p>The house door closed, and after a little the study door opened, and Nogam
halted on the threshold.</p>
<p>Unstirring Victor enquired: "What is it, Nogam?"</p>
<p>"I wished to enquire would there be anything more to-night, sir."</p>
<p>"Nothing."</p>
<p>"'Nk you, sir."</p>
<p>"But Nogam: in this house, regardless of the custom which may have obtained
in other establishments where you have served, you will always knock before
entering a room, and never enter until you obtain permission."</p>
<p>"But if I'm sure the room is empty, sir, and get no answer--?"</p>
<p>"Then you may enter any room but this. Never this, unless I am here--or Mr.
Karslake is--and you get leave."</p>
<p>"'Nk you, sir."</p>
<p>"Good-night."</p>
<p>As the door closed Victor extended a thin, effeminate hand to a casket of
ivory, searched with sensitive finger-tips its exquisite tracery until a
cunningly hidden spring responded and the lid, splitting in two, sank down
into its walls. In the pocket thus revealed were many pills, apparently
hand-moulded, of a grayish-brown substance, putty-soft.</p>
<p>Slowly Victor selected three, placed one after another upon his tongue, and
swallowed them.</p>
<p>He shut the casket and sat waiting.</p>
<p>Slowly the keenness of his countenance became blurred, as if the hand of an
unseen sculptor were rubbing down its features, doing away the veneer with
which Europe had overlaid the primitive Asiatic, which now showed on the
surface, in every detail of coarsely modelled nose, oblique eyes of animal
cunning, pendulous lips cruel and sensual.</p>
<p>By degrees a faint trace of colour began to flush Victor's cheeks, a smile
modified the set of his mouth, the heavy-lidded eyes lost their lustreless
opacity and glimmered with uncanny light.</p>
<p>He breathed deeply, evenly, with an evident relish. The action of the opium
was visibly renewing his powers. His expression, softening, became terrible
with brute tenderness and longing. Gazing into shadows in which he saw that
which he wished ardently to see, he stretched forth his arms, and his lips
moved, shaping a name:</p>
<p>"Sofia!"</p>
<p>As those syllables, freighted with that undying passion which consumed the
man, sounded upon the stillness, Victor turned sharply, with a gesture of
irritation, looking aside, listening.</p>
<p>Instantaneously the Asiatic disappeared, thrust back into its habitual
latency within the prison of European: Prince Victor was as he had been, as
always to the world, cool, composed, and crafty, master, never creature, of
his emotions.</p>
<p>A faint buzzing was audible, broken by muffled clicks.</p>
<p>Rising, Victor approached a table in a corner and with a key from his
pocket ring unlocked a heavy casket of bronze. As he raised its cover a
small electric bulb illuminated the interior, focussing on the
paper-covered face of a mechanical writing device, upon which a pencil with
a broad flat lead operated by a metal arm was tracing characters resembling
the hieroglyphics of the Chinese.</p>
<p>When the clicking ceased and the pencil was at rest, Victor caught an end
of the paper and pulled it forward until a blank surface again occupied the
writing-bed. Upon this with another pencil he inscribed a reply, then
closed and relocked the casket.</p>
<p>Back at the table with the lamp, the message just received became crisp
black ash on a brazen tray.</p>
<p>From a locked chest Victor produced an inverness and a soft hat of black
felt. Wearing these he moved quietly out of the lamp's radius of light, and
made himself one with the shadows that crowded one another round the walls.
He did not leave by the hall door; but of a sudden the room was untenanted.</p>
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