<SPAN name="startofbook"></SPAN>
<h1>The Story of the Amulet</h1>
<h2 class="no-break">by E. Nesbit</h2>
<hr />
<h2>Contents</h2>
<table summary="" >
<tr>
<td> <SPAN href="#chap01">CHAPTER I. THE PSAMMEAD</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap02">CHAPTER II. THE HALF AMULET</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap03">CHAPTER III. THE PAST</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap04">CHAPTER IV. EIGHT THOUSAND YEARS AGO</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap05">CHAPTER V. THE FIGHT IN THE VILLAGE</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap06">CHAPTER VI. THE WAY TO BABYLON</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap07">CHAPTER VII. “THE DEEPEST DUNGEON BELOW THE CASTLE MOAT”</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap08">CHAPTER VIII. THE QUEEN IN LONDON</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap09">CHAPTER IX. ATLANTIS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap10">CHAPTER X. THE LITTLE BLACK GIRL AND JULIUS CAESAR</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap11">CHAPTER XI. BEFORE PHARAOH</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap12">CHAPTER XII. THE SORRY-PRESENT AND THE EXPELLED LITTLE BOY</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap13">CHAPTER XIII. THE SHIPWRECK ON THE TIN ISLANDS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap14">CHAPTER XIV. THE HEART’S DESIRE</SPAN></td>
</tr>
</table>
<h4>TO<br/>
<br/>
Dr Wallis Budge<br/>
of the British Museum as a<br/>
small token of gratitude for his<br/>
unfailing kindness and help<br/>
in the making of it</h4>
<h2><SPAN name="chap01"></SPAN>CHAPTER I.<br/> THE PSAMMEAD</h2>
<p>There were once four children who spent their summer holidays in a white house,
happily situated between a sandpit and a chalkpit. One day they had the good
fortune to find in the sandpit a strange creature. Its eyes were on long horns
like snail’s eyes, and it could move them in and out like telescopes. It
had ears like a bat’s ears, and its tubby body was shaped like a
spider’s and covered with thick soft fur—and it had hands and feet
like a monkey’s. It told the children—whose names were Cyril,
Robert, Anthea, and Jane—that it was a Psammead or sand-fairy. (Psammead
is pronounced Sammy-ad.) It was old, old, old, and its birthday was almost at
the very beginning of everything. And it had been buried in the sand for
thousands of years. But it still kept its fairylikeness, and part of this
fairylikeness was its power to give people whatever they wished for. You know
fairies have always been able to do this. Cyril, Robert, Anthea, and Jane now
found their wishes come true; but, somehow, they never could think of just the
right things to wish for, and their wishes sometimes turned out very oddly
indeed. In the end their unwise wishings landed them in what Robert called
“a very tight place indeed”, and the Psammead consented to help
them out of it in return for their promise never never to ask it to grant them
any more wishes, and never to tell anyone about it, because it did not want to
be bothered to give wishes to anyone ever any more. At the moment of parting
Jane said politely—</p>
<p>“I wish we were going to see you again some day.”</p>
<p>And the Psammead, touched by this friendly thought, granted the wish. The book
about all this is called <i>Five Children and It</i>, and it ends up in a most
tiresome way by saying—</p>
<p>“The children <i>did</i> see the Psammead again, but it was not in the
sandpit; it was—but I must say no more—”</p>
<p>The reason that nothing more could be said was that I had not then been able to
find out exactly when and where the children met the Psammead again. Of course
I knew they would meet it, because it was a beast of its word, and when it said
a thing would happen, that thing happened without fail. How different from the
people who tell us about what weather it is going to be on Thursday next, in
London, the South Coast, and Channel!</p>
<p>The summer holidays during which the Psammead had been found and the wishes
given had been wonderful holidays in the country, and the children had the
highest hopes of just such another holiday for the next summer. The winter
holidays were beguiled by the wonderful happenings of <i>The Phœnix and the
Carpet</i>, and the loss of these two treasures would have left the children in
despair, but for the splendid hope of their next holiday in the country. The
world, they felt, and indeed had some reason to feel, was full of wonderful
things—and they were really the sort of people that wonderful things
happen to. So they looked forward to the summer holiday; but when it came
everything was different, and very, very horrid. Father had to go out to
Manchuria to telegraph news about the war to the tiresome paper he wrote
for—the <i>Daily Bellower</i>, or something like that, was its name. And
Mother, poor dear Mother, was away in Madeira, because she had been very ill.
And The Lamb—I mean the baby—was with her. And Aunt Emma, who was
Mother’s sister, had suddenly married Uncle Reginald, who was
Father’s brother, and they had gone to China, which is much too far off
for you to expect to be asked to spend the holidays in, however fond your aunt
and uncle may be of you. So the children were left in the care of old Nurse,
who lived in Fitzroy Street, near the British Museum, and though she was always
very kind to them, and indeed spoiled them far more than would be good for the
most grown-up of us, the four children felt perfectly wretched, and when the
cab had driven off with Father and all his boxes and guns and the sheepskin,
with blankets and the aluminium mess-kit inside it, the stoutest heart quailed,
and the girls broke down altogether, and sobbed in each other’s arms,
while the boys each looked out of one of the long gloomy windows of the
parlour, and tried to pretend that no boy would be such a muff as to cry.</p>
<p>I hope you notice that they were not cowardly enough to cry till their Father
had gone; they knew he had quite enough to upset him without that. But when he
was gone everyone felt as if it had been trying not to cry all its life, and
that it must cry now, if it died for it. So they cried.</p>
<p>Tea—with shrimps and watercress—cheered them a little. The
watercress was arranged in a hedge round a fat glass salt-cellar, a tasteful
device they had never seen before. But it was not a cheerful meal.</p>
<p>After tea Anthea went up to the room that had been Father’s, and when she
saw how dreadfully he wasn’t there, and remembered how every minute was
taking him further and further from her, and nearer and nearer to the guns of
the Russians, she cried a little more. Then she thought of Mother, ill and
alone, and perhaps at that very moment wanting a little girl to put
eau-de-cologne on her head, and make her sudden cups of tea, and she cried more
than ever. And then she remembered what Mother had said, the night before she
went away, about Anthea being the eldest girl, and about trying to make the
others happy, and things like that. So she stopped crying, and thought instead.
And when she had thought as long as she could bear she washed her face and
combed her hair, and went down to the others, trying her best to look as though
crying were an exercise she had never even heard of.</p>
<p>She found the parlour in deepest gloom, hardly relieved at all by the efforts
of Robert, who, to make the time pass, was pulling Jane’s hair—not
hard, but just enough to tease.</p>
<p>“Look here,” said Anthea. “Let’s have a palaver.”
This word dated from the awful day when Cyril had carelessly wished that there
were Red Indians in England—and there had been. The word brought back
memories of last summer holidays and everyone groaned; they thought of the
white house with the beautiful tangled garden—late roses, asters,
marigold, sweet mignonette, and feathery asparagus—of the wilderness
which someone had once meant to make into an orchard, but which was now, as
Father said, “five acres of thistles haunted by the ghosts of baby
cherry-trees”. They thought of the view across the valley, where the
lime-kilns looked like Aladdin’s palaces in the sunshine, and they
thought of their own sandpit, with its fringe of yellowy grasses and
pale-stringy-stalked wild flowers, and the little holes in the cliff that were
the little sand-martins’ little front doors. And they thought of the free
fresh air smelling of thyme and sweetbriar, and the scent of the wood-smoke
from the cottages in the lane—and they looked round old Nurse’s
stuffy parlour, and Jane said—</p>
<p>“Oh, how different it all is!”</p>
<p>It was. Old Nurse had been in the habit of letting lodgings, till Father gave
her the children to take care of. And her rooms were furnished “for
letting”. Now it is a very odd thing that no one ever seems to furnish a
room “for letting” in a bit the same way as one would furnish it
for living in. This room had heavy dark red stuff curtains—the colour
that blood would not make a stain on—with coarse lace curtains inside.
The carpet was yellow, and violet, with bits of grey and brown oilcloth in odd
places. The fireplace had shavings and tinsel in it. There was a very varnished
mahogany chiffonier, or sideboard, with a lock that wouldn’t act. There
were hard chairs—far too many of them—with crochet antimacassars
slipping off their seats, all of which sloped the wrong way. The table wore a
cloth of a cruel green colour with a yellow chain-stitch pattern round it. Over
the fireplace was a looking-glass that made you look much uglier than you
really were, however plain you might be to begin with. Then there was a
mantelboard with maroon plush and wool fringe that did not match the plush; a
dreary clock like a black marble tomb—it was silent as the grave too, for
it had long since forgotten how to tick. And there were painted glass vases
that never had any flowers in, and a painted tambourine that no one ever
played, and painted brackets with nothing on them.</p>
<p class="poem">
“And maple-framed engravings of the Queen,<br/>
The Houses of Parliament, the Plains of Heaven,<br/>
And of a blunt-nosed woodman’s flat return.”</p>
<p>There were two books—last December’s <i>Bradshaw</i>, and an odd
volume of Plumridge’s <i>Commentary on Thessalonians</i>. There
were—but I cannot dwell longer on this painful picture. It was indeed, as
Jane said, very different.</p>
<p>“Let’s have a palaver,” said Anthea again.</p>
<p>“What about?” said Cyril, yawning.</p>
<p>“There’s nothing to have <i>anything</i> about,” said Robert
kicking the leg of the table miserably.</p>
<p>“I don’t want to play,” said Jane, and her tone was grumpy.</p>
<p>Anthea tried very hard not to be cross. She succeeded.</p>
<p>“Look here,” she said, “don’t think I want to be
preachy or a beast in any way, but I want to what Father calls define the
situation. Do you agree?”</p>
<p>“Fire ahead,” said Cyril without enthusiasm.</p>
<p>“Well then. We all know the reason we’re staying here is because
Nurse couldn’t leave her house on account of the poor learned gentleman
on the top-floor. And there was no one else Father could entrust to take care
of us—and you know it’s taken a lot of money, Mother’s going
to Madeira to be made well.”</p>
<p>Jane sniffed miserably.</p>
<p>“Yes, I know,” said Anthea in a hurry, “but don’t
let’s think about how horrid it all is. I mean we can’t go to
things that cost a lot, but we must do <i>something</i>. And I know there are
heaps of things you can see in London without paying for them, and I thought
we’d go and see them. We are all quite old now, and we haven’t got
The Lamb—”</p>
<p>Jane sniffed harder than before.</p>
<p>“I mean no one can say ‘No’ because of him, dear pet. And I
thought we <i>must</i> get Nurse to see how quite old we are, and let us go out
by ourselves, or else we shall never have any sort of a time at all. And I vote
we see everything there is, and let’s begin by asking Nurse to give us
some bits of bread and we’ll go to St James’s Park. There are ducks
there, I know, we can feed them. Only we must make Nurse let us go by
ourselves.”</p>
<p>“Hurrah for liberty!” said Robert, “but she
won’t.”</p>
<p>“Yes she will,” said Jane unexpectedly. “<i>I</i> thought
about that this morning, and I asked Father, and he said yes; and what’s
more he told old Nurse we might, only he said we must always say where we
wanted to go, and if it was right she would let us.”</p>
<p>“Three cheers for thoughtful Jane,” cried Cyril, now roused at last
from his yawning despair. “I say, let’s go now.”</p>
<p>So they went, old Nurse only begging them to be careful of crossings, and to
ask a policeman to assist in the more difficult cases. But they were used to
crossings, for they had lived in Camden Town and knew the Kentish Town Road
where the trams rush up and down like mad at all hours of the day and night,
and seem as though, if anything, they would rather run over you than not.</p>
<p>They had promised to be home by dark, but it was July, so dark would be very
late indeed, and long past bedtime.</p>
<p>They started to walk to St James’s Park, and all their pockets were
stuffed with bits of bread and the crusts of toast, to feed the ducks with.
They started, I repeat, but they never got there.</p>
<p>Between Fitzroy Street and St James’s Park there are a great many
streets, and, if you go the right way you will pass a great many shops that you
cannot possibly help stopping to look at. The children stopped to look at
several with gold-lace and beads and pictures and jewellery and dresses, and
hats, and oysters and lobsters in their windows, and their sorrow did not seem
nearly so impossible to bear as it had done in the best parlour at No. 300,
Fitzroy Street.</p>
<p>Presently, by some wonderful chance turn of Robert’s (who had been voted
Captain because the girls thought it would be good for him—and indeed he
thought so himself—and of course Cyril couldn’t vote against him
because it would have looked like a mean jealousy), they came into the little
interesting criss-crossy streets that held the most interesting shops of
all—the shops where live things were sold. There was one shop window
entirely filled with cages, and all sorts of beautiful birds in them. The
children were delighted till they remembered how they had once wished for wings
themselves, and had had them—and then they felt how desperately unhappy
anything with wings must be if it is shut up in a cage and not allowed to fly.</p>
<p>“It must be fairly beastly to be a bird in a cage,” said Cyril.
“Come on!”</p>
<p>They went on, and Cyril tried to think out a scheme for making his fortune as a
gold-digger at Klondyke, and then buying all the caged birds in the world and
setting them free. Then they came to a shop that sold cats, but the cats were
in cages, and the children could not help wishing someone would buy all the
cats and put them on hearthrugs, which are the proper places for cats. And
there was the dog-shop, and that was not a happy thing to look at either,
because all the dogs were chained or caged, and all the dogs, big and little,
looked at the four children with sad wistful eyes and wagged beseeching tails
as if they were trying to say, “Buy me! buy me! buy me! and let me go for
a walk with you; oh, do buy me, and buy my poor brothers too! Do! do!
do!” They almost said, “Do! do! do!” plain to the ear, as
they whined; all but one big Irish terrier, and he growled when Jane patted
him.</p>
<p>“Grrrrr,” he seemed to say, as he looked at them from the back
corner of his eye—“<i>You</i> won’t buy me. Nobody
will—ever—I shall die chained up—and I don’t know that
I care how soon it is, either!”</p>
<p>I don’t know that the children would have understood all this, only once
they had been in a besieged castle, so they knew how hateful it is to be kept
in when you want to get out.</p>
<p>Of course they could not buy any of the dogs. They did, indeed, ask the price
of the very, very smallest, and it was sixty-five pounds—but that was
because it was a Japanese toy spaniel like the Queen once had her portrait
painted with, when she was only Princess of Wales. But the children thought, if
the smallest was all that money, the biggest would run into thousands—so
they went on.</p>
<p>And they did not stop at any more cat or dog or bird shops, but passed them by,
and at last they came to a shop that seemed as though it only sold creatures
that did not much mind where they were—such as goldfish and white mice,
and sea-anemones and other aquarium beasts, and lizards and toads, and
hedgehogs and tortoises, and tame rabbits and guinea-pigs. And there they
stopped for a long time, and fed the guinea-pigs with bits of bread through the
cage-bars, and wondered whether it would be possible to keep a sandy-coloured
double-lop in the basement of the house in Fitzroy Street.</p>
<p>“I don’t suppose old Nurse would mind <i>very</i> much,” said
Jane. “Rabbits are most awfully tame sometimes. I expect it would know
her voice and follow her all about.”</p>
<p>“She’d tumble over it twenty times a day,” said Cyril;
“now a snake—”</p>
<p>“There aren’t any snakes,” said Robert hastily, “and
besides, I never could cotton to snakes somehow—I wonder why.”</p>
<p>“Worms are as bad,” said Anthea, “and eels and slugs—I
think it’s because we don’t like things that haven’t got
legs.”</p>
<p>“Father says snakes have got legs hidden away inside of them,” said
Robert.</p>
<p>“Yes—and he says <i>we’ve</i> got tails hidden away inside
<i>us</i>—but it doesn’t either of it come to anything
<i>really</i>,” said Anthea. “I hate things that haven’t any
legs.”</p>
<p>“It’s worse when they have too many,” said Jane with a
shudder, “think of centipedes!”</p>
<p>They stood there on the pavement, a cause of some inconvenience to the
passersby, and thus beguiled the time with conversation. Cyril was leaning his
elbow on the top of a hutch that had seemed empty when they had inspected the
whole edifice of hutches one by one, and he was trying to reawaken the interest
of a hedgehog that had curled itself into a ball earlier in the interview, when
a small, soft voice just below his elbow said, quietly, plainly and quite
unmistakably—not in any squeak or whine that had to be
translated—but in downright common English—</p>
<p>“Buy me—do—please buy me!”</p>
<p>Cyril started as though he had been pinched, and jumped a yard away from the
hutch.</p>
<p>“Come back—oh, come back!” said the voice, rather louder but
still softly; “stoop down and pretend to be tying up your
bootlace—I see it’s undone, as usual.”</p>
<p>Cyril mechanically obeyed. He knelt on one knee on the dry, hot dusty pavement,
peered into the darkness of the hutch and found himself face to face
with—the Psammead!</p>
<p>It seemed much thinner than when he had last seen it. It was dusty and dirty,
and its fur was untidy and ragged. It had hunched itself up into a miserable
lump, and its long snail’s eyes were drawn in quite tight so that they
hardly showed at all.</p>
<p>“Listen,” said the Psammead, in a voice that sounded as though it
would begin to cry in a minute, “I don’t think the creature who
keeps this shop will ask a very high price for me. I’ve bitten him more
than once, and I’ve made myself look as common as I can. He’s never
had a glance from my beautiful, beautiful eyes. Tell the others I’m
here—but tell them to look at some of those low, common beasts while
I’m talking to you. The creature inside mustn’t think you care much
about me, or he’ll put a price upon me far, far beyond your means. I
remember in the dear old days last summer you never had much money. Oh—I
never thought I should be so glad to see you—I never did.” It
sniffed, and shot out its long snail’s eyes expressly to drop a tear well
away from its fur. “Tell the others I’m here, and then I’ll
tell you exactly what to do about buying me.”</p>
<p>Cyril tied his bootlace into a hard knot, stood up and addressed the others in
firm tones—</p>
<p>“Look here,” he said, “I’m not kidding—and I
appeal to your honour,” an appeal which in this family was never made in
vain. “Don’t look at that hutch—look at the white rat. Now
you are not to look at that hutch whatever I say.”</p>
<p>He stood in front of it to prevent mistakes.</p>
<p>“Now get yourselves ready for a great surprise. In that hutch
there’s an old friend of ours—<i>don’t</i> look!—Yes;
it’s the Psammead, the good old Psammead! it wants us to buy it. It says
you’re not to look at it. Look at the white rat and count your money! On
your honour don’t look!”</p>
<p>The others responded nobly. They looked at the white rat till they quite stared
him out of countenance, so that he went and sat up on his hind legs in a far
corner and hid his eyes with his front paws, and pretended he was washing his
face.</p>
<p>Cyril stooped again, busying himself with the other bootlace and listened for
the Psammead’s further instructions.</p>
<p>“Go in,” said the Psammead, “and ask the price of lots of
other things. Then say, ‘What do you want for that monkey that’s
lost its tail—the mangy old thing in the third hutch from the end.’
Oh—don’t mind <i>my</i> feelings—call me a mangy
monkey—I’ve tried hard enough to look like one! I don’t think
he’ll put a high price on me—I’ve bitten him eleven times
since I came here the day before yesterday. If he names a bigger price than you
can afford, say you wish you had the money.”</p>
<p>“But you can’t give us wishes. I’ve promised never to have
another wish from you,” said the bewildered Cyril.</p>
<p>“Don’t be a silly little idiot,” said the Sand-fairy in
trembling but affectionate tones, “but find out how much money
you’ve got between you, and do exactly what I tell you.”</p>
<p>Cyril, pointing a stiff and unmeaning finger at the white rat, so as to pretend
that its charms alone employed his tongue, explained matters to the others,
while the Psammead hunched itself, and bunched itself, and did its very best to
make itself look uninteresting.</p>
<p>Then the four children filed into the shop.</p>
<p>“How much do you want for that white rat?” asked Cyril.</p>
<p>“Eightpence,” was the answer.</p>
<p>“And the guinea-pigs?”</p>
<p>“Eighteenpence to five bob, according to the breed.”</p>
<p>“And the lizards?”</p>
<p>“Ninepence each.”</p>
<p>“And toads?”</p>
<p>“Fourpence. Now look here,” said the greasy owner of all this caged
life with a sudden ferocity which made the whole party back hurriedly on to the
wainscoting of hutches with which the shop was lined. “Lookee here. I
ain’t agoin’ to have you a comin’ in here a turnin’ the
whole place outer winder, an’ prizing every animile in the stock just for
your larks, so don’t think it! If you’re a buyer, <i>be</i> a
buyer—but I never had a customer yet as wanted to buy mice, and lizards,
and toads, and guineas all at once. So hout you goes.”</p>
<p>“Oh! wait a minute,” said the wretched Cyril, feeling how foolishly
yet well-meaningly he had carried out the Psammead’s instructions.
“Just tell me one thing. What do you want for the mangy old monkey in the
third hutch from the end?”</p>
<p>The shopman only saw in this a new insult.</p>
<p>“Mangy young monkey yourself,” said he; “get along with your
blooming cheek. Hout you goes!”</p>
<p>“Oh! don’t be so cross,” said Jane, losing her head
altogether, “don’t you see he really <i>does</i> want to know
<i>that!</i>”</p>
<p>“Ho! does ’e indeed,” sneered the merchant. Then he scratched
his ear suspiciously, for he was a sharp business man, and he knew the ring of
truth when he heard it. His hand was bandaged, and three minutes before he
would have been glad to sell the “mangy old monkey” for ten
shillings. Now—</p>
<p>“Ho! ’E does, does ’e,” he said, “then two pun
ten’s my price. He’s not got his fellow that monkey ain’t,
nor yet his match, not this side of the equator, which he comes from. And the
only one ever seen in London. Ought to be in the Zoo. Two pun ten, down on the
nail, or <i>hout</i> you goes!”</p>
<p>The children looked at each other—twenty-three shillings and fivepence
was all they had in the world, and it would have been merely three and
fivepence, but for the sovereign which Father had given to them “between
them” at parting.</p>
<p>“We’ve only twenty-three shillings and fivepence,” said
Cyril, rattling the money in his pocket.</p>
<p>“Twenty-three farthings and somebody’s own cheek,” said the
dealer, for he did not believe that Cyril had so much money.</p>
<p>There was a miserable pause. Then Anthea remembered, and said—</p>
<p>“Oh! I <i>wish</i> I had two pounds ten.”</p>
<p>“So do I, Miss, I’m sure,” said the man with bitter
politeness; “I wish you “ad, I’m sure!”</p>
<p>Anthea’s hand was on the counter, something seemed to slide under it. She
lifted it. There lay five bright half sovereigns.</p>
<p>“Why, I <i>have</i> got it after all,” she said;
“here’s the money, now let’s have the Sammy,... the monkey I
mean.”</p>
<p>The dealer looked hard at the money, but he made haste to put it in his pocket.</p>
<p>“I only hope you come by it honest,” he said, shrugging his
shoulders. He scratched his ear again.</p>
<p>“Well!” he said, “I suppose I must let you have it, but
it’s worth thribble the money, so it is—”</p>
<p>He slowly led the way out to the hutch—opened the door gingerly, and made
a sudden fierce grab at the Psammead, which the Psammead acknowledged in one
last long lingering bite.</p>
<p>“Here, take the brute,” said the shopman, squeezing the Psammead so
tight that he nearly choked it. “It’s bit me to the marrow, it
have.”</p>
<p>The man’s eyes opened as Anthea held out her arms. “Don’t
blame me if it tears your face off its bones,” he said, and the Psammead
made a leap from his dirty horny hands, and Anthea caught it in hers, which
were not very clean, certainly, but at any rate were soft and pink, and held it
kindly and closely.</p>
<p>“But you can’t take it home like that,” Cyril said, “we
shall have a crowd after us,” and indeed two errand boys and a policeman
had already collected.</p>
<p>“I can’t give you nothink only a paper-bag, like what we put the
tortoises in,” said the man grudgingly.</p>
<p>So the whole party went into the shop, and the shopman’s eyes nearly came
out of his head when, having given Anthea the largest paper-bag he could find,
he saw her hold it open, and the Psammead carefully creep into it.</p>
<p>“Well!” he said, “if that there don’t beat
cockfighting! But p’raps you’ve met the brute afore.”</p>
<p>“Yes,” said Cyril affably, “he’s an old friend of
ours.”</p>
<p>“If I’d a known that,” the man rejoined, “you
shouldn’t a had him under twice the money. ’Owever,” he
added, as the children disappeared, “I ain’t done so bad, seeing as
I only give five bob for the beast. But then there’s the bites to take
into account!”</p>
<p>The children trembling in agitation and excitement, carried home the Psammead,
trembling in its paper-bag.</p>
<p>When they got it home, Anthea nursed it, and stroked it, and would have cried
over it, if she hadn’t remembered how it hated to be wet.</p>
<p>When it recovered enough to speak, it said—</p>
<p>“Get me sand; silver sand from the oil and colour shop. And get me
plenty.”</p>
<p>They got the sand, and they put it and the Psammead in the round bath together,
and it rubbed itself, and rolled itself, and shook itself and scraped itself,
and scratched itself, and preened itself, till it felt clean and comfy, and
then it scrabbled a hasty hole in the sand, and went to sleep in it.</p>
<p>The children hid the bath under the girls’ bed, and had supper. Old Nurse
had got them a lovely supper of bread and butter and fried onions. She was full
of kind and delicate thoughts.</p>
<p>When Anthea woke the next morning, the Psammead was snuggling down between her
shoulder and Jane’s.</p>
<p>“You have saved my life,” it said. “I know that man would
have thrown cold water on me sooner or later, and then I should have died. I
saw him wash out a guinea-pig’s hutch yesterday morning. I’m still
frightfully sleepy, I think I’ll go back to sand for another nap. Wake
the boys and this dormouse of a Jane, and when you’ve had your breakfasts
we’ll have a talk.”</p>
<p>“Don’t <i>you</i> want any breakfast?” asked Anthea.</p>
<p>“I daresay I shall pick a bit presently,” it said; “but sand
is all I care about—it’s meat and drink to me, and coals and fire
and wife and children.” With these words it clambered down by the
bedclothes and scrambled back into the bath, where they heard it scratching
itself out of sight.</p>
<p>“Well!” said Anthea, “anyhow our holidays won’t be dull
<i>now</i>. We’ve found the Psammead again.”</p>
<p>“No,” said Jane, beginning to put on her stockings. “We
shan’t be <i>dull</i>—but it’ll be only like having a pet dog
now it can’t give us wishes.”</p>
<p>“Oh, don’t be so discontented,” said Anthea. “If it
can’t do anything else it can tell us about Megatheriums and
things.”</p>
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